JULY EVENTS AT  FRIGID NEW YORK @ HORSE TRADE

 
Thank You, Robot Photo credit: KL Thomas
The Long Miserable Journey to Happiness
Sunday, July 2 @ 5pm & Wednesday, July 19 @ 7pm 
UNDER St. Marks (94 St. Marks Place) $12
Fringe 2011’s Best Newcomer Nominee Paul Valenti is going back to Edinburgh. This time on a casual quest for Universal Truth. Put yourself in Paul’s hands while he clowns, cajoles, charms, flips, falls and flops his way to discovering what exactly—if anything—makes us truly happy. Paul invites you to leave your baggage at the door and join him on a quest for the unseekable: Happiness.
Category: Solo Show; Clown
Stand Up and Take Your Clothes Off!
Sunday, July 2 @ 8pm $10 in advance; $15 at the door
The Kraine Theater (85 East 4th Street)
Stand Up and Take Your Clothes Off! features NYC’s funniest female comics and sassiest burlesque acts. Past performers have been featured in films, seen on TV, and perform at venues all over the world. This is a fast paced sexy show, exploding with talent.
Category: Comedy; Burlesque
The Open Mic Downstairs 
Hosted by Dan Ricker & Mike Milazzo
Every Tuesday @ 9pm $4 at the door
UNDER St. Marks (94 St. Marks Place)
At The Open Mic Downstairs the focus is the stage! Sign-ups get seven minutes to try anything in one of the most supportive rooms in New York. Whether it’s a performance art piece, comedy, music, storytelling, dance, or something entirely off the top of your head, you’ll find a home in the attentive welcoming community at UNDER St. Marks.
Category: Open Mic; Variety 
FEAST: A Performance Series
Wednesday, July 5 @ 7pm $15
UNDER St. Marks (94 St. Marks Place)
Feast: A Performance Series invites you to the table for a fresh and delicious three-course performance series. Co-curators Conrad Kluck and Alex Randrup offer an evening of performances from the worlds of theater, music, dance and poetry, including a new work-in-progress staged reading by our monthly-featured playwright. We’re cooking up new works every month!
Category: Variety; Play Development 
Ten-Foot Rat Cabaret
Wednesday, July 5 @ 9:30pm $15
UNDER St. Marks (94 St. Marks Place)
Ten-Foot Rat Cabaret is Gotham’s Premiere Variety Show: Comedy, Music, Burlesque, Vaudeville, and More! Hosted by Canadian import Jillian Thomas; featuring Bill Chambers and Gregory Levine – and a rotating cast of the entertainment cream of NYC, America and Canada. Created and Produced by Rob Dub and Gregory Levine.
Category: Variety; Comedy; Vaudeville 
 
CHALK
Saturday, July 8 @ 2:30pm $15; $5 for kids under 12
The Kraine Theater (85 East 4th Street)
CHALK is a playful and poignant one-man show guaranteed to delight audiences of all ages. Chalk invites audiences into a hand-drawn world where imagination is made real and anything can happen. Charlie Chaplin meets Harold and the Purple Crayon in this feel-good romantic romp sure to “Draw You In.” Category: Solo Show; Kids; Family Friendly 
A Brief History of Beer
Saturday, July 8 @ 10:30pm $12
UNDER St. Marks (94 St. Marks Place)
A Brief History of Beer is a one hour drinkeractive comedy where the audience travels through time with William Glenn and Trish Parry, all the way back to Ancient Sumeria, through to today, on a mission to save beer from a mysterious nefarious person! Each month has a different theme so you can always come back and fill your cup with beery knowledge and fun!
Category: Comedy; Food & Drink
Cabaret Showdown: Winners Showcase
Sunday, July 9 @ 5:30pm $10
The Kraine Theater (85 East 4th Street)
Join last month’s winner of the Cabaret Showdown as they star in their own show!
Category: Cabaret; Music
The Cabaret Showdown
Hosted by Mark McDaniels 
Sunday, July 9 @ 7pm  $12 (includes a free drink)
The Kraine Theater (85 East 4th Street) 
Do you have what it takes to be a cabaret champion? Contestants compete for the chance to star in their own show or cabaret. Come out and join the fun! Whether you are a contestant or in the audience you are guaranteed to have a blast. Category: Cabaret; Music; Game Show
The Adam Wade Show
Featuring Moth StorySLAM Champion, Adam Wade
Tuesday, July 11 @ 7pm $10
The Kraine Theater (85 East 4th Street)
Adam Wade (Comedy Central’s Inside Amy Schumer, NPR regular), a staggering 20-time Moth Story Slam winner, has put together many of his winning heartfelt and humorous stories for this special monthly show. No two shows are the same. A different featured guest will start the evening off.
Category: Comedy; Storytelling
Sketch Block 
Wednesday, July 12 @ 9pm $10
UNDER St. Marks (94 St. Marks Place)
Sketch Block is a comedy showcase that gives sketch troupes an opportunity to perform without the pressure of bringing in an audience. Also, Sketch Block does not force their audience to pay for drinks. We believe that it’s your choice to drink or not. It’s about the comedy. Sketch Comedy meets Block Party. This monthly show features a guest host comedian, three guest sketch troupes and drinking. Come meet, mingle, and perform!
Category: Comedy; Sketch Comedy
Pretty Bad
Thursday, July 13 @ 10pm $15
The Kraine Theater (85 East 4th Street)
Pretty Bad is a show that pairs professional models with professional comedians to make imperfect improv under perfectly funny circumstances.
Category: Comedy; Improv
Lo-Fi NYC
Saturday, July 15 @ 10:30pm $10
UNDER St. Marks (94 St. Marks Place)
LO-FI NYC is a live taping of the comedy show you always dreamed of. Recorded only on iPhones and a 10-year-old Sony handicam, this fast-paced trash heap of a show features the best sketch, stand up, hammer giveaways and musicians from the big apple and beyond. It’s like The Muppet Show, but there aren’t any puppets and everyone is drunk.
Category: Comedy
Caribbean Nights Concert Series
Thursday, July 20 @ 10:30pm $15
The Kraine Theater (85 East 4th Street) 
This is gong to be one exciting show of artists sharing the stage with Reggae and Hip Hop music that no doubt will get you out of your chairs! Featuring E.M.M.P. Inc Feddy Jones from Puerto Rico, Binky from the USA, Floydy Wonder from Jamaica, Grey Mann from Trinidad, and Cavell Simms aka DJ NUKID from Jamaica.
Category: Music; Reggae; Hip Hop
Thank You, Robot
Friday, July 21 @ 10:30pm $5
UNDER St. Marks (94 St. Marks Place)
A showcase for independent and established improv teams. For each show, two teams join Thank You, Robot to perform sets of unscripted comedy, never seen before and never to be seen again. Category: Comedy; Improv
The Torchlight Series
Presented by Cave Theatre Company
Wednesday, July 26 @ 7pm $10
UNDER St. Marks (94 St. Marks Place)
It is within caves that the first art appeared – tales of humanity carved or painted on the rock walls. Our ancestors walked deep into the earth away from all light and created stories with paint, with fire, with song. We now venture into the dark as our ancestors did and strive to do the same.
Category: Play Development
The Varietal Hour
Friday, July 28 @ 10:30pm $10
UNDER St. Marks (94 St. Marks Place)
The Varietal Hour showcases a diverse collection of talent from around the city. Host and two-time Tony Award rehearsal attendee Lucas Womack splits a bottle of wine with guests as they perform anything from stand up to soft shoe, from storytelling to juggling, and very little in between. Or maybe all of it. Join us as we celebrate variety and varietals!
Category: Variety; Food & Drink
Comic Sutra Saturday
Saturday, July 29 @ 10:30pm $10
UNDER St. Marks (94 St. Marks Place) 
Join us on an endless journey, where desire meets dick jokes, all under the guise of Eastern mysticism. Allow us to re-open those chakras deep inside you and be embraced by our tantalizing, tantric tales and tunes. Comedy. Music. The Unknown. Only at COMIC SUTRA SATURDAYS! Category: Comedy
New York Madness
Sunday, July 30 @ 8pm $10
The Kraine Theater (85 East 4th Street)
Madness: is a raw and unpredictable show of short plays by an ensemble of playwrights presented fully staged with scripts in hand. Each night has a Theme, which is given out a week before the event. The collective works in an evening kaleidoscope that cultural moment. It is a snapshot of where we are politically, culturally, and artistically. A Madness is a forum for all writers to explore the boundaries of modern theater.
Category: Short Plays; Staged Reading
FRIGID New York @ Horse Trade is a theater development group with a focus on new work that produces a massive quantity of stimulating downtown theater every season. FRIGID’s Resident Artist Program offers a home to a select group of Independent theater artists, pooling together a great deal of talent and energy. FRIGID New York grew out of the annual FRIGID Festival, the first and only festival of its kind in New York City to offer artists 100% of their box office proceeds, and Horse Trade Theater Group, a self-sustaining theater development and management group.
 
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Broadway Bound Theatre Festival: Meet the Playwrights

20 Playwrights. One Festival. One Month.

Adam and Brian

Bedlam

Bone on Bone

Convicted

Image

In Pursuit of PeaceIn the Room, Waiting

Keys

Mine

Must Win

Out There

Poor Boys

Running for My Life

Saving Stan

Skeletons

Small Town Confessions

Snow White Padded Room

Sympathy in C

The American Dream

2 Years of Eternal Joy

Meet Victoria Medina & One Nation, One Mission, One Promise

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Name: Victoria Medina

What is your current project? One Nation, One Mission, One Promise

Where are you performing your show and why is it a good fit for your production?

The Steve and Marie Sgouros Theatre, under The Players Theatre Artist in Residence program. The Team at The Players Theatre are just amazing. Everyone is supportive and caring about the work that is being produced. The location is amazing, right in the heart of Greenwich Village, surrounded by the most beautiful and historic buildings and landmarks. One Nation, One Mission, One Promise brings the best of our history alive and the neighborhood around the theatre breathes life into our history and creates new memories everyday.

What’s next for you?

One Nation, One Mission, One Promise opens on July 8, 2017. We are excited to hear from the audience after the show during our talk back. The next step will be to re-stage the show based on our audience at The Steve and Marie Sgouros Theatre. In 2018 we look forward to growing into the main stage theatre, so stay tuned, because each performance will be its own unique experience.

What is the name of the last show you saw?

Groundhog Day

Any advice for your peers?

Read Sam Mendes 25 Steps to be a director. Many of his suggestions I think apply to all positions in theater production.

Want More?

Website: http://www.onenationonemissiononepromise.com/ and http://www.victoriamedina.com/

Facebook: https://https://www.facebook.com/onenationonemissiononepromise/ and www.facebook.com/victoriamedina001

Twitter:  @vmedinatweets

Instagram: @onenationonemissiononepromise

You Tube: https://www.youtube.com/channel/UCWFUyddc1BVk8Iodh6equtQ

Victoria Medina, Playwright, Director, Producer

Victoria has been invited to participate in The Players Theatre Artist In Residence Program. For over twenty years she has dedicated her life to her three passions: photography, writing and performing. This theatrical journey, One Nation, One Mission, One Promise, represents the climactic 3rd stage of this project which includes all three disciplines along with speaking engagements. She is so excited to see her trifecta of photos, writing and theater come to full fruition!

It began life as the photographic art exhibit, American Spirit, and was then developed into an Amazon best-selling book entitled One Nation, One Mission, One Promise, featuring exhibit images alongside her original poetry and prose plus quotes from famous and not-so famous Americans. Images from the American Spirit exhibit were also featured in the debut stage production of the award-winning show, Zuccotti Park – The Musical.

Victoria is also delighted to have joined the Song of Solomon: A New Musical producing team. She has also produced Latinos and the Business of Acting at the Public Theatre, and has been on the production team of several independent films in Los Angeles.


Show Information:

When: July 8, 2017 @7:00 pm
Where: Steve and Marie Sgouros Theatre
115 MacDougal Street
1 block from West 4th Street Subway
212-475-1449

http://www.theplayerstheatre.com/home.html
https://web.ovationtix.com/trs/pr/974663

The Kilroys Launch 4th Annual THE LIST Featuring Female and Trans Writers

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THE KILROYS Photo credit: Elisabeth Caren at The Wallis Annenberg Center for the Performing Arts

Continuing the fight to achieve gender parity in the American Theater, LA-based playwright/producer collective The Kilroys has facilitated its fourth annual List of industry-recommended new plays.

The List 2017 features the most recommended un- and under-produced plays written by female and trans writers of color, following a survey of hundreds of professional artistic directors, literary managers, professors, producers, directors, and dramaturgs. The List is organized by The Kilroys: an independent, LA-based group of female playwrights and producers, dedicated to taking action in the face of gender disparity in American Theatre.

In 2014, The Kilroys created The List survey in response to systemic gender bias in theater programming. The vetted collection of industry-recommended works was designed to bring worthy plays by female and trans playwrights to the forefront of the American theater conversation. And it has. In the first three years of its existence, The List has featured 131 plays (46 plays on the List 2014; 53 plays on The List 2015; 32 plays on the List 2016), and over 1,000 plays have been nominated by hundreds of industry professionals. Since then, more than 100 productions of plays on The List have been mounted or announced.

Momentum for female theater makers is on the rise, despite continued under-representation of female and trans playwrights on American stages. According to The Count, an ongoing study funded by The Lilly Awards and The Dramatists Guild released in 2015, just 22% of productions in regional theaters over the previous three years were written by women.

However, only 3.4% of the overall plays produced reported by The Count were written by women of color. This year’s List assembled by The Kilroys addresses this concern in the hopes for inclusive parity.

The Kilroys seek to focus attention on underrepresented voices as a powerful means of overcoming systemic and implicit biases that create exclusion. Through our and others’ efforts, the results of attention on underrepresented voices has increased visibility and opportunity. Historically, female and trans writers of color face additional discrimination. This year, in an effort to widen our scope and attention toward the underrepresented, and explore the intersectional facets that make up the dynamics of bias, The Kilroys have asked nominators to recommend plays by female and trans writers of color, resulting in The List 2017.

The List serves as a resource for producers and theaters committed to gender parity. The Kilroys have partnered with the New Play Exchange to provide interested parties fast and easy access to The List plays.

  • The List survey uses the following criteria this year:
    Each industry respondent may recommend 3-5 plays, representing the best work they have encountered in the past 12 months.
  • A nominated play must be un-produced, or have had no more than one production.
  • A nominated play must be by an author of color who identifies as female or trans.
  • Plays on The List 2014, 2015 and 2016 are not eligible.

Theater professionals who have read or seen at least 40 plays in the previous year are invited to nominate themselves as respondents for next year’s List. Recommendations are submitted anonymously. Members of The Kilroys act as facilitators and do not recommend plays for The List.

The List is currently available at http://www.thekilroys.org

CAMBODIAN ROCKBAND PLAY by Lauren Yee
Part comedy, part mystery, part rock concert, this thrilling story toggles back and forth in time, as father and daughter face the music of the past. Neary, a young Cambodian American has found evidence that could finally put away the Khmer Rouge’s chief henchman. But her work is far from done. When Dad shows up unannounced—his first return to Cambodia since fleeing 30 years ago—it’s clear this isn’t just a pleasure trip.

THE GREAT LEAP by Lauren Yee
When an American college basketball team travels to Beijing for an exhibition game in 1989, the drama on the court goes deeper than the strain between their countries. For two men with a past and one teen with a future, it’s a chance to stake their moment in history and claim personal victories off the scoreboard. American coach Saul grapples with his relevance to the sport, Chinese coach Wen Chang must decide his role in his rapidly-changing country and Chinese American player Manford seeks a lost connection. Tensions rise right up to the final buzzer as history collides with the action in the stadium. Inspired by events in the life of the playwright’s own father.

YOGA PLAY by Dipika Guha
Just when newly hired CEO Joan is about to launch a new brand of women’s yoga pants, yoga apparel giant Jojomon is hit by a terrible scandal. Desperate to win back the company’s reputation (and her own), Joan stakes everything on a plan so crazy it just might work. YOGA PLAY is a journey towards enlightenment in a world determined to sell it.

THIRST by C. A. Johnson
Samira and Greta lead a peaceful life. They have their own clearing in the woods, their own hut, and their son Kalil to keep them laughing. When Kalil returns home one day without their water rations, however, Samira and Greta find themselves in conflict with their local political leader. Set in a tense segregated society, Thirst is a complex look at race and love in war-time.
BLKS by aziza barnes
Some days feel like they will never end. After a morning that includes a cancer scare and kicking her girlfriend out of the house, Octavia decides to have a last turn up with her best friends.

IF PRETTY HURTS THEN UGLY MUST BE A MUHFUCKA: AN UNDERSTANDING OF A WEST AFRICAN FOLKTALE by Tori Sampson
In Affreakah-Amirrorkah, an imaginary but uncannily familiar place, debutantes Akim, Adama, Kaya, and Massassi embody the culture’s notion of Beauty in all its shades and shapes. Still, something about Akim sets her apart, and her allure makes her a target for Massassi and her pretty, “jealous” peers. If Pretty Hurts Ugly Must Be a Muhfucka weaves contemporary African and American cultures into a sweeping journey about what—and whom—we suppress in pursuit of an ideal always just beyond reach.

IS GOD IS by Aleshea Harris
IS GOD IS is an epic tale of twin sisters who, haunted by a brutal family history, sojourn West to seek revenge.

WE, THE INVISIBLES by Susan Soon He Stanton
In 2011, the director of the International Monetary Fund was accused of sexual assault by a hotel maid, Nafissatou Diallo, but all charges were dismissed. we, the invisibles shares the rarely-heard stories of people like Diallo, people from all over the globe working at New York’s luxury hotels. Funny, poignant, and brutally honest by turns, the play is an investigation of the complicated relationship between movers and shakers and the people who change their sheets.

QUEEN by Madhuri Shekar
At the very last minute, a scientist realizes that her groundbreaking environmental paper – co-authored with her best friend – is based on flawed data. Should she risk her friendship, her career, the fate of the world… for the truth?

THE OPPORTUNITIES OF EXTINCTION by Sam Chanse
Taking refuge from a twitterstorm and other assorted upheaval on a last-minute camping trip, Mel and Arjun meet Georgia, a solitary young woman studying the impact of climate change on the imperiled Joshua tree.

HANG MAN by Stacy Amma Osei-Kuffour
The community of a shitty southern town grapples with the murder of a Black man who is found hanging from a tree.

LAST NIGHT AND THE NIGHT BEFORE by Donnetta Lavinia Grays
When Monique and her 10-year-old daughter Samantha show up unexpectedly on her sister’s Brooklyn doorstep, it’s the beginning of the end for Rachel and her partner Nadima’s orderly lifestyle. Monique is on the run from deep trouble, her husband Reggie is nowhere to be seen, and Samantha becomes ever haunted by the life in southern Georgia she was forced to leave behind. Poetic, dark and often deeply funny Last Night and the Night Before explores the complex power, necessity, and beauty of loss.

EL HURACÁN by Charise Castro Smith
In Miami, on the eve of Hurricane Andrew, three generations of women huddle together to weather the storm. Beset by late-stage Alzheimers, Valeria (the family matriarch and a former magicienne) wanders between present-day family tensions and the siren call of her memories. But thirty years later, in the wake of a seemingly unforgivable mistake, the family is faced with the impossible necessity of reconciliation. Inspired by Shakespeare’s The Tempest, El Huracán is a story about what we carry when we’re forced to leave everything behind.

TWO MILE HOLLOW by Leah Nanako Winkler
When the Donnelly’s gather for a weekend in the country to gather their belongings for their recently sold estate—both an internal storm and a literal storm brews (uh oh!). As this brood of famous, longing-to-be-famous and kind of a mess but totally Caucasian family comes together with their non-white personal assistant, Charlotte, some really really really really really complicated and totally unique secrets are revealed over white wine…

BLACK SUPER HERO MAGIC MAMA by Inda Craig-Galván
Sabrina Jackson cannot cope with the death of her 14-year-old son by a White cop. Rather than herald the Black Lives Matter movement, Sabrina retreats inward, living out a comic book superhero fantasy. Will Sabrina stay in this splash-and-pow dream world where sons don’t die, or return to reality and mourn her loss?

ENDLINGS by Celine Song
On the island of Man-Jae in Korea, three elderly women spend their dying days diving into the ocean to harvest seafood with nothing but a rusty knife. They are “haenyeos”— “sea women” —and there are no heiresses to their millennium-old tradition. ENDLINGS is a real estate lesson from the last three remaining “haenyeos” in the world: don’t live on an island. Unless it’s the island of Manhattan…

EVE’S SONG by Patricia Ione Lloyd
Outside, black men and women are being killed by police. Inside, Deborah is trying to keep her smart-but-weird son and newly-out daughter safe and happy as light bulbs pop, shadows come to life, and the house gets strangely colder. With theatricality and lyricism, this unlikely ghost story explores what it means to let your song be heard in a world that’s trying to silence you.

TO THE YELLOW HOUSE by Kimber Lee
1888. Paris and Provence. A failing artist in desperate pursuit of a new way of seeing, haunted by his past, and hoping to remake his future in the color and light of the south. At what point in an endless cycle of failures does faith and persistence become delusion and foolishness? A meditation on love, art, and not being popular.

florissant & canfield by Kristiana Rae Colón
at the intersection of tear gas and teddy bear memorials, at the intersection of darren wilson and michael brown, at the intersection of looting and liberation, florissant & canfield refracts the realities of ferguson in the wake of the black lives matter movement. colliding in the unlikely eden of a civil rights renaissance, a newly formed alliance of protesters are forced to put their nascent ideologies to the test in the quest for new visions of justice.

LES FRÉRES by Sandra A. Daley-Sharif
Inspired by Lorainne Hansberry’s Les Blancs, Les Fréres tells the story of three estranged brothers of Haitian descent, who come home to Harlem for their father’s final days. Troubled memories filled with anger and abuse come rushing back as they deal with their father’s death. They are forced to deal with how each choose to deal with memories, how each have escaped, feelings of abandonment, betrayal and loss. Finally, the end asks two of the brothers if they will escape back into the lives they have forged for themselves or will they try to make new life amongst the embers of pain. The play deals with issues of race and culture, family, and identity.

THE HOMECOMING QUEEN by Ngozi Anyanwu
A bestselling novelist returns to Nigeria to care for her ailing father, but before she can bury him, she must relearn the traditions she’s long forgotten. Having been absent for over a decade, she must collide with her culture, traumatic past, painful regrets, and the deep, deep love she thought she could never have.

REDWOOD by Brittany K. Allen
Redwood concerns an interracial couple (Meg, a middle school teacher, and Drew, a physicist) who are thrown into crisis when Meg’s recently-retired Uncle Stevie makes a project of charting the family tree, via Ancestry.com. When Stevie discovers that his would-be nephew-in-law is heir apparent to the family that owned his (and subsequently, Meg’s) relatives in an antebellum Kentucky, a time and space-bending dramedy of manners gone very far South ensues. Long-dead ancestors appear, to comment on their light-skinned progeny. Meg speechifies on the nature of forgetting before the State Senate, and a hip-hop dance class chorus guides the action. The play is interested in the ways love can and cannot transcend both modern social barriers and historical power structures. Meg and Drew must learn if we can we ever truly forgive, champion or fully understand those beloved who are fundamentally ‘other.’

BURNED by Amina Henry
Jamal wants to be force for good, like a Jedi in Star Wars, but he did a bad thing, firebombing a synagogue for money. Now he wonders if he’s an evil Sith. A fugitive, he lays low at his mother Mary’s house. Mary and Jo, Jamal’s girlfriend, wonder about the good and evil in Jamal, too, as they witness the different parts of him. For Officer Brown, Jamal is just one thing: black.

HATEFUCK by Rehana Lew Mirza
A local Michigan literary professor seeks out a famous Muslim-American novelist to find out if he’s a self-hating Islamophobe or a really good lay. But they find that getting under each other’s skin can easily become a habit, for better or worse.

MAGIC CITY OR JULIE IN BASEL by Hilary Bettis
An explosive elixir of power, class, and immigration status, which, when shaken hard with love and betrayal, creates a dangerous cocktail that threatens to destroy lives. In this Spanish language infused contemporary adaptation of Strindberg’s Miss Julie is set in the back kitchen of a Miami hotel during a night of debauchery.

NOMAD MOTEL by Carla Ching
Alix lives in a tiny motel room with her mother and two brothers, scrabbling to make weekly rent. Mason lives comfortably in a grand, empty house while his father runs jobs for the Hong Kong Triad. Until the day his father disappears and Mason has to figure out how to come up with grocery money and dodge Child Services and the INS. Mason and Alex develop an unlikely friendship, struggling to survive, and trying to outrun the mistakes of their parents. Will they make it out or fall through the cracks? A play about Motel Kids and Parachute Kids raising themselves and living at the poverty line in a land of plenty.

NOURA by Heather Raffo
NOURA reflects the dilemma facing modern America: do we live for each other or for ourselves? Told from inside the marriage of an Iraqi immigrant family to New York, the play speaks directly to modern marriage and the leaving of home. This fast paced script highlights an acutely relevant awakening of identity that tackles our notions of, shame, violence, assimilation, exile and love. It’s a unique insight into the interior crisis that lies behind the collapse of the modern Middle East and America’s inseparable relationship to it.

USUAL GIRLS by Ming Peiffer
On an elementary school playground, a boy threatens to tell on a group of girls for swearing – unless one of them kisses him. But just before lips can touch, Kyeoung tackles the boy to the ground. The victory is short-lived. Over the coming years, Kyeoung herself is knocked down again and again. By an alcoholic dad. A group of quick-to-judge friends. And an endlessly invasive parade of men. As we follow Kyeoung from the discoveries of childhood to the realities of adulthood, her stories get stranger, funnier, more harrowing – and more familiar. How do girls grow up? Quickly, painfully, wondrously.

AZUL by Christina Quintana
When a lifelong New Yorker faces the loss of her Cuban-born mother and her own sense of identity in the process, she digs into her legacy and uncovers the story of her mother’s beloved aunt, her own tia-abuela whom she never met. While the family fled Cuba at the time of Castro’s revolution, she remained on the island for the love of another woman—a complicated choice in a less forgiving time.

BREACH: A MANIFESTO ON RACE IN AMERICA THROUGH THE EYES OF A BLACK GIRL RECOVERING FROM SELF HATE by Antoinette Nwandu
What happens when a woman trapped in a dead-end job and a fizzling relationship accidentally gets pregnant by a man that she’s not dating? A coming of age story about race, class and motherhood, BREACH examines how hard it is to love others when it’s you that you loathe most of all.

HOW TO CATCH CREATION by Christina Anderson
A wrongly convicted man is released from prison after 25 years. As he settles into a new life he begins the quest to become a father. Spanning more than 40 years, this play explores family, connection, parenthood, and the right to start over.

NIKE or WE DON’T NEED ANOTHER HERO by Ngozi Anyanwu
Is an Origin story of the Goddess Nike and a retelling of the Olympus myth Black Greek Super hero style

SELLING KABUL by Sylvia Khoury
Taroon once served as an interpreter for the United States military in Afghanistan. Now the Americans – and their promises of safety – are gone, and Taroon spends his days in his sister Afiya’s apartment, hiding from the increasingly powerful Taliban. Desperate to escape with his wife and newborn son, Taroon must navigate a country left in upheaval, in which everyone must fend for themselves and few can be trusted.

SOMEBODY’S DAUGHTER by Chisa Hutchinson
A Chinese-American guidance counselor helps a troubled protege through some gender-bias bullshit.

THE PAPER DREAMS OF HARRY CHIN by Jessica Huang
During the Chinese Exclusion Act, Harry Chin, a Chinese national, entered the U.S. by buying forged documentation. Like other “Paper Sons,” Harry underwent a brutal detention and interrogation, and lived the rest of his life keeping secrets – even from his daughter. Told through the eyes of a middle-aged Chin, THE PAPER DREAMS OF HARRY CHIN reveals the complicated loves and regrets of this Chinese immigrant who wound up in Minnesota. Through dreamlike leaps of time and space and with the powerful assistance of ghosts, the story of the Chin family reveals the personal and political repercussions of making group of people “illegal.”

THE THANKSGIVING PLAY by Larissa FastHorse
In this satirical comedy, a mismatched but well-meaning foursome sets out to devise a politically correct school play that can somehow sensitively celebrate both Thanksgiving and Native American Heritage Month. How can this wildly diverse quartet-separated by cultural chasms and vastly different perspectives on history-navigate a complicated, hilarious thicket of privilege, representation, and of course school district regulations? The schools are waiting, and the pageant must go on!

UNRELIABLE by Dipika Guha
Gretchen is a lawyer. Yusuf is her client. Yusuf is being held indefinitely without trial for terrorism. Hattie is Gretchen’s mother. Only, Hattie thinks Gretchen is a secretary, Gretchen thinks Hattie is sick and Yusuf believes he’s been framed. In a world of competing narratives, facts no longer exist. UNRELIABLE investigates the consequences of living only in a story of your choosing.


THE KILROYS are a gang of playwrights and producers in LA who are done talking about gender parity and are taking action. They mobilize others in their field and leverage their own power to support one another. They are Zakiyyah Alexander, Bekah Brunstetter, Sheila Callaghan, Carla Ching, Annah Feinberg, Sarah Gubbins, Laura Jacqmin, Joy Meads, Kelly Miller, Meg Miroshnik, Daria Polatin, Tanya Saracho, and Marisa Wegrzyn.

BIOS FOR THE KILROYS

ZAKIYYAH ALEXANDER’s work has been seen and developed around the country, including: 10 Things To Do Before I Die (Second Stage), Sweet Maladies (Brava Theater Center, Rucker Theater) and, The Etymology of Bird (Summerstage). Her musical, GIRL Shakes Loose, has been the recipient of a Map and Joyce Fund Award, developed at the O’Neill Music Theater Conference and recently received a world premiere at Penumbra Theater. An alumni of: The MacDowell Arts Colony, New Dramatists, Center Theater Groups Writers Lab, Women’s Project Lab, Drama League Fellow, Youngblood EST. Yale School of Drama: MFA in playwriting. Zakiyyah has written for: 24 Legacy and Grey’s Anatomy.

BEKAH BRUNSTETTER’s plays include The Cake (upcoming at The Echo Theater, La Jolla), Going to a Place Where you Already Are (SCR), The Oregon Trail (O’Neill Playwright’s Conference), Be A Good Little Widow (Ars Nova, The Old Globe) and Oohrah! (The Atlantic; Steppenwolf Garage). She has written for Switched at Birth and Starz’ American Gods and is currently a producer on NBC’s This is Us. MFA, the New School for Drama. http://blog.bekahbrunstetter.com

SHEILA CALLAGHAN is a NY and LA based playwright, founding member of the Obie winning playwright’s organization 13P, and New Dramatists alum. Plays include Scab, Crumble (Lay Me Down, Justin Timberlake), Dead City, That Pretty Pretty; Or, The Rape Play, Everything You Touch, Elevada, and Women Laughing Alone With Salad. She is published with Playscripts and Samuel French, and several of her collected works are published with Counterpoint Press. Sheila is currently a writer/producer on the Showtime comedy Shameless. http://www.sheilacallaghan.com

CARLA CHING is a native Angeleno who fell into theater in New York. Her plays include Nomad Motel (forthcoming at City Theatre in Pittsburgh; O’Neill Playwrights Conference), The Two Kids That Blow Shit Up (Artists at Play; Mu Performing Arts; Huntington’s Breaking Ground), Fast Company (EST; South Coast Rep; Lyric Stage; Porkfilled Players), TBA (2g) and The Sugar House at the Edge of the Wilderness (Ma-Yi) among others. Alumna of the Women’s Project Lab, Lark Playwrights Workshop, CTG Writers’ Workshop and the Ma-Yi Writers Lab. Former Artistic Director of Asian American theater company, 2g. Proud member of New Dramatists. Carla has written on Amazon’s I Love Dick, USA’s Graceland, AMC’s Fear the Walking Dead and The First forthcoming from Hulu. http://carlaching.com

ANNAH FEINBERG’s plays, which include The Beautiful Beautiful Sea Next Door, Numismatics, and The Ivories, have been developed and produced by Ars Nova, Naked Angels, EBE Ensemble, The Blank and Clubbed Thumb. She has served in artistic and literary capacities for The Civilians, LCT3, MTC, Steppenwolf, Northlight, ICM, TimeLine and 13P. She wrote and directed short film “Gretch and Tim”, cartoons @memyselvesand, and her musical web series “Balloon Room” is coming soon. She served as script coordinator on I Love Dick, and has assisted on Arrested Development, Flaked, Damien and Veep. MFA Dramaturgy: Columbia University. http://www.annahfeinberg.com

SARAH GUBBINS hails from Chicago. Her plays include The Kid Thing (Jeff Award and Edgerton Foundation New American Play Award), fml: how Carson McCullers saved my life, Fair Use, The Drinking Problem, and Cocked. She’s has been a Carl J. Djerassi Fellow and Jerome Fellow. Currently she’s a Core Writer of the Playwrights’ Center. She holds a M.F.A. from Northwestern University in Writing for the Screen + Stage. She lives in Los Angeles.

LAURA JACQMIN is a writer for television, video games, and the live theatre. She currently writes for Get Shorty (MGM/Epix). Plays: Residence (40th Humana Festival of New American Plays at Actors Theatre of Louisville), A Third (Finborough Theatre), Look, We Are Breathing (Sundance Theatre Lab; Rivendell Theatre), January Joiner (Long Wharf Theatre), Ski Dubai (Steppenwolf Theatre), Dental Society Midwinter Meeting (Chicago Dramatists/At Play, remounted 16th Street Theater and Theater on the Lake; Williamstown Theatre Festival), and more. Awards: Wasserstein Prize, two NEA Art Works Grants, ATHE-Kennedy Center David Mark Cohen Playwriting Award, two MacDowell Fellowships. Other television: Grace and Frankie (Netflix); Lucky 7 (ABC). Video games: The Walking Dead – A New Frontier: The Telltale Series and Minecraft: Story Mode (both with Telltale Games). BA Yale University, MFA Ohio University. http://www.laurajacqmin.com

JOY MEADS is Literary Manager/Artistic Engagement Strategist at Center Theatre Group. Recent dramaturgy credits include Forever by Dael Orlandersmith, Marjorie Prime by Jordan Harrison (2015 Pulitzer Prize finalist), The Royale by Marco Ramirez, & Radiate by Daniel Alexander Jones. Previously, Joy was Literary Manager at Steppenwolf Theatre Company and Associate Artistic Director at California Shakespeare Theater. Joy has also developed plays with NYTW, Berkeley Rep, Denver Center, the O’Neill, Portland Center Stage, South Coast Rep, & Campo Santo, among others.

KELLY MILLER is a Manager at The Shuman Company in LA. Recently, she served as the Director of Development for New Neighborhood and as South Coast Repertory’s Literary Director and the Co-Director of the Pacific Playwrights Festival from 2009-2015. She dramaturged over 40 world premiere productions and readings at SCR and created the CrossRoads commissioning project. Miller has worked at Actors Theatre of Louisville, Williamstown, Long Wharf Theatre and consulted for the O’Neill, Berkeley Rep, the Kennedy Center, Public Theater, Native Voices at the Autry and many others. Recent residencies include Lake Tofte Center and SPACE on Ryder Farm. She serves on the board for the Women’s Project Theater and is an Ambassador-at-Large for the National New Play Network. She develops new work with her company Creative Destruction.

MEG MIROSHNIK is an LA-based, Minneapolis-bred playwright who writes heightened language. Plays include The Fairytale Lives of Russian Girls (Yale Rep; Alliance), The Tall Girls (Alliance; O’Neill; La Jolla Playhouse DNA Series), The Droll (Pacific Playwrights Festival; Undermain) and Lady Tattoo (Pacific Playwrights Festival, Rattlestick F*cking Good Plays Festival). Awards: Whiting Award, Susan Smith Blackburn finalist, Alliance/Kendeda Graduate Playwriting Award. Publications: Samuel French. MFA: Yale School of Drama under Paula Vogel. Affiliation: Core Writer at the Playwrights’ Center. Upcoming: Sonnet: A Play, a Shakespeare-inspired commission for the Acting Company.

DARIA POLATIN is a playwright, TV writer and author. Daria’s plays include Palmyra, In Tandem, Guidance, That First Fall, D.C., and The Luxor Express, inspired by her father’s life growing up in Egypt; work produced at The Kennedy Center, Actors Theatre of Louisville, Naked Angels, Ensemble Studio Theatre NY, Golden Thread Productions, Noor Theatre, Malibu Playhouse, Cape Cod Theatre Project, in London, Los Angeles, and Hong Kong. Member of Center Theatre Group Writers’ Workshop, Echo Theater Writer’s Lab, residency with London’s Royal Court Theatre, alumna of Youngblood. Daria has directed plays, and her short film, “Till It Gets Weird.” She writes for the upcoming Amazon TV series Jack Ryan, starring John Krasinski, and wrote for the Hulu psychic drama Shut Eye. Daria’s debut novel Devil in Ohio will be published in November 2017 by Macmillan. Awards: Kennedy Center/A.C.T.F. Best One-Act Play, Middle East America Playwriting Prize Honorable Mention, Wasserstein Prize Nominee, Princess Grace Award Finalist; MFA Columbia University. http://www.dariapolatin.com

TANYA SARACHO was born in Los Mochis, Sinaloa, México. She is a playwright and Television Writer who’s worked on How To Get Away With Murder, HBO’s Looking, & Girls, and Devious Maids. She is creating and has been tapped as showrunner by Starz for “Pour Vida,” a series in development. Named “Best New Playwright” by Chicago Magazine, Saracho has had plays produced at: Primary Stages in NYC, 2nd Stage in NYC, Denver Theatre Center, Oregon Shakespeare Festival, The Goodman Theater, Steppenwolf Theater, Teatro Vista, Teatro Luna, Fountain Theater, Clubbed Thumb, NEXT Theater and 16th Street Theater. Saracho was named one of nine national Latino “Luminarios” by Café magazine and given the first “Revolucionario” Award in Theater by the National Museum of Mexican Art. She is the founder of Teatro Luna (the first all-Latina Theatre Company in the nation, now defunct) as well as the founder of ALTA (Alliance of Latino Theatre Artists). Saracho is currently in development with Big Beach Films for a project about brujería and under commission with: South Coast Repertory Theatre and Two Rivers Theatre.

MARISA WEGRZYN Chicago playwright working in LA. Writer of Mud Blue Sky, The Butcher of Baraboo, Hickorydickory, Killing Women, Ten Cent Night, other stuff. Gigs at Steppenwolf, Second Stage NYC, Baltimore Center Stage, A Red Orchid Theatre, Chicago Dramatists, Theatre Seven, Moxie Theatre, other places. Winner of the Wendy Wasserstein Playwriting Prize. Writer on TV shows Mind Games (ABC), The Mentalist (CBS), and Feed the Beast (AMC). Enjoys weather.

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Meet Amy Oestreicher & Gutless & Grateful

AmyOestreicher-1024x576.jpgName: Amy Oestreicher

What is your current project? Gutless & Grateful

Where are you performing your show and why is it a good fit for your production?

I’m so excited to be bringing this to Feinstein’s/54 Below. It’s a beautiful venue and I thought it’s especially fitting since the food is amazing…and this is a musical (comedy) about how my stomach exploded and I couldn’t eat or drink for six years! Spoiler alert – I can eat and drink now. So let’s just say I am REALLY looking forward to grabbing a meal afterwards!

What’s next for you?

A lot of great projects! I’m always touring Gutless & Grateful, not only to theatres, but to colleges, conferences, organization, military support groups, temples advocacy groups – you name it – as a mental health, PTSD, disability, sexual assault and leadership program, so this show is always in my heart…but more exciting for me, I’m developing plenty of new shows at once! . I’m developing a musical, LEFTOVERS with director and dramaturge Susan Einhorn, which is a musicalized version of my “Musical chair-like” transition out of the surgical ICU. Other projects include a multidisciplinary solo play, “Trust/In Development,” based on my most recent TEDx Talk, using Joseph Campbell’s archetypal hero’s journey to portray the “heroic adventures” in recovery, and after completing a residency at Art Kibbutz, I created a documentary drama based on 300 pages of transcribed oral histories from my grandmother and her nine siblings, after surviving Auschwitz. Judaism has been an overflowing source of playwriting inspiration, and its resilient stories have also inspired two short plays, “Factory Treasures” and “We Re-Member,” based on the garment factory that my grandparents established after immigrating to New York.

What is the name of the last show you saw?

I just saw “Soot and Spit” directed by Kim Weild, Written by Charles Mee at New Ohio Factory Theatre – I had the privilege of writing up an interview I did with Kim on the show for Huffington Post and BroadwayWorld. I left simply speechless. I still am. AMAZING!

Any advice for your peers?

Start from anywhere. Don’t compare yourself and work with what you have. But don’t accept what you start with. Visualize what you’d like to be and manifest it – will it. The most important thing is to really tune into your passion and work from there – wherever it may lead you – no matter how crazy. If it is authentic, it’s real. And with a bit of dedication, it will happen.

Want More?

Website: www.amyoes.com
Facebook: facebook.com/amyoestr
Twitter: @amyoes
Instagram: @amyoes70
You Tube: youtube.com/amyoes70

Amy Oestreicher is a PTSD peer-to-peer specialist, artist, author, writer for Huffington Post, speaker for TEDx and RAINN, health advocate, survivor, award-winning actress, and playwright, sharing the lessons learned from trauma through her writing, mixed media art, performance and inspirational speaking. As the creator of “Gutless & Grateful,” her BroadwayWorld-nominated one-woman autobiographical musical, she’s toured theatres nationwide, along with a program combining mental health advocacy, sexual assault awareness and Broadway Theatre for college campuses and international conferences. She has studied as a playwright and performance artist in the National Musical Theatre Institute at the world-renowned Eugene O’Neill Theater Center. Her original, full-length drama, Imprints, premiered at the NYC Producer’s Club in May 2016, exploring how trauma affects the family as well as the individual. To celebrate her own “beautiful detour”, Amy created the #LoveMyDetour campaign, to help others cope in the face of unexpected events. “Detourism” is also the subject of her TEDx and upcoming book, My Beautiful Detour, available December 2017. As Eastern Regional Recipient of Convatec’s Great Comebacks Award, she’s spoken to hundreds of healthcare professionals at national WOCN conferences, and her presentations on diversity, leadership and trauma have been featured at National Mental Health America Conference, New England Educational Opportunity Association’s 40 Anniversary Conference, and have been keynotes at the Pacific Rim Conference of Diversity and Disability in Hawaii, the Eating Recovery Foundation First Annual Benefit in Colorado. She’s contributed to over 70 notable online and print publications, and her story has appeared on NBC’s TODAY, CBS, Cosmopolitan, among others. Learn more: amyoes.com.


Show Information: 

When: June 30th at 9:30pm

Where: Feinstein’s/54 Below (254 West 54th Street)

Use the discount code AMY35 but only if you make reservations beforehand!

Buy tickets at https://54below.com/events/amy-oestreicher-gutless-grateful/

There is a $25-$35 cover charge and $25 food and beverage minimum.

Tickets and information are available at www.54Below.com.

Tickets on the day of performance after 4:00 are only available by calling (646) 476-3551.

Meet Sara Rademacher

IMG_9967Name: Sara Rademacher

What is your current project?

Caught Dreaming,” is a passion project straight from the mind of brand new playwright Ryan Dancho

Where are you performing your show and why is it a good fit for your production?

The show is at the New York Theeaterfest Summerfest playing on July 27, 29 and 30th. Ryan Dancho, the playwright, is immensely talented and has a unique voice that comes across in the play by bringing a non-voyeuristic perspective to mental health. Because he has such a fresh new voice, this playwright-focused festival provides the perfect venue to introduce him to New York. You can hear Ryan talk about personal connection to mental health issues and his impetuous for writing this important play from his Kickstarter video. (You’ll also get a sense of his off-beat sense of humor that is certainly not lacking in the script)! https://www.kickstarter.com/projects/2000611737/caught-dreaming-the-play

What’s next for you?

I’m actually working in four New Play festivals this summer! Before “Caught Dreaming,” you can see “Forever Young” by Judd Lear Silverman at The Gallery Players Black Box Fest (June 16 – 18), “Appetizers,” by Scott C. Sickles at The Greenhouse Ensemble’s 10 Minute Play Soiree (June 23 -25)

What is the name of the last show you saw?

“Composure,” by Scott Sickles at The Workshop Theatre

Any advice for your peers?

Schedule at least an hour every day where you are not allowed to think about your schedule.

Want more?

Website: SaraRademacher.com

Facebook: https://www.facebook.com/sara.rademacher.9

Twitter: https://twitter.com/saradrads

Instagram: https://www.instagram.com/saradrad/?hl=en

Sara Rademacher is the Co-Founder and former Artistic Director of Elements Theatre Collective, whose mission is to bring professional quality theatre free of charge to audiences with limited access. Sara is dedicated to creating theatre to engage her community both locally and globally. She holds an MFA in Theatre Directing from Columbia University in New York City, where she currently lives and works. Some Favorite directing credits include The Last Five Years, Gruesome Playground Injuries, The Love Song of J. Robert Oppenheimer, and boom. Before forming Elements, she studied theatre in South Africa, and earned her BA in Dramatic Arts at UCSB. She has worked in Casting, Assistant Directing, Dramaturgy and other internships regional theaters including The Guthrie, Seattle Repertory, Mixed Blood, Marin Theatre, and more. Sara currently works at The National Theatre Conference. She continues to serve on the Board at Elements.


Show Information:

When: Caught Dreaming at The New York Theaterfest Summerfest plays July 27th at 9pm, July 29th at 1pm and July 30th at 6pm.

Tickets are $24.80
http://www.brownpapertickets.com/event/2944738