Category: TBB Interviews

TBB Interviews

Meet Laura Vogels & Quotidian

QuotidianPoster4.25v3Name: Laura Vogels

What is your current project?

Our newest show, Quotidian, features 12 original stories crafted by the ensemble about some of the most defining and pivotal moments of their lives. A tapestry of sight and soundscapes, Quotidian is a tribute to the company’s diversity and how the past has shaped our identity.

Where are you performing your show and why is it a good fit for your production?

We are performing in a very unique space at the Alchemical Theatre Laboratory. It is an all white room with catwalk style seating. The show is interweaved with shadow play, projections and live music. We love it!

What’s next for you?

We are continuing to develop original works and exploring established works that have that magical factor- Lorca´s concept of “DUENDE”. We want to produce plays infused with a Primitive Grace in order to shift the audience´s paradigm so they will experience reality in a new, profound life altering way.

What is the name of the last show you saw?

Spill at EST. It was a moving and excellent piece of journalistic theatre.

Any advice for your peers?

Surround yourself with people who are generous of spirit and on the same mission as you. Collaborators are the soul of this business. Together you are unstoppable. And in the spirit of the show: Don’t wait. Do it now.

Want More?

Website: primitivegrace.org
Facebook: https://www.facebook.com/PrimitiveGraceEnsemble/
Instagram: @theprimitivegrace

Laura is a actor, co-writer and producer of the upcoming show Quotidian with the Primitive Grace Theatre Ensemble (Artistic directors David Zayas- Bloodline, Dexter, Oz and Paul Calderon – Bosch, Fear the Walking Dead, Pulp Fiction). Recent works include short films Laura, Furlough and Greener, which have all gathered laurels on the festival circuit. She can also be seen on the Discovery Channel in shows such as Shadow of Doubt and Deadly Sins. Laura studied acting, physical theatre and European theatre at British Drama Schools: the Italia Conti Academy of Theatre Arts, LAMDA, RADA. Her training continued in NY in comedy & improv at the Upright Citizens Brigade, Meisner Technique at MCS and more. She is also the founder and artistic director of THE AVIARY, a production company that produces film and theatrical events that entertain, educate and elevate the audience. Laura’s short film “A Woman Walks Into A Bar” is currently in consideration at several film festivals.

You can find her at @LauraVogels on Instagram and Twitter, on Facebook, or at http://www.LauraVogels.com.

Show Information:

When: Friday, May 19 at 8:00pm to Sunday May 21st at 3:00pm and 8:00pm
Where: The Alchemical Theatre Laboratory
Address: 104 W.14th St, 3rd FL Studio A Theater
Website: For tickets visit http://quotidian.brownpapertickets.com and check us out at www.primitivegrace.org

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Meet Phil Williams & #bitchdrinks

Name: Phil Williams

What is your current project?

“#bitchdrinks”, a social commentary on the misconceptions of women in today’s society, using poetry and spoken word to dissect, and debunk some of their myths and myriads, as well as address obstacles they inexplicably face.

Where are you performing your show and why is it a good fit for your production?

Friends and Lovers, located on 641 Classon Avenue in Brooklyn. It’s aesthetic and atmosphere fit with the production’s overall feel and setting.

What’s next for you?

A new play called “Between The Lines” written by our playwright-in-residence, Chris Patterson, to premiere this fall.

What is the name of the last show you saw?

HARAM! IRAN!

Any advice for your peers?

Never stop listening to others. If you are collaborating with other artists, leave no stone unturned and always be open to absolutely anything.

Want More?

Website: http://minefieldtheatre.org/
Facebook: https://www.facebook.com/phil.williams.3762
Twitter: @mrphilliams
Instagram:  @mrphilliams / @minefieldtheatregroup
You Tube: Minefield Theatre Group

Phil Williams is the founder and artistic director of the Minefield Theatre Group. A proud alumnus of York College of the City University of New York, he earned his B.A. in Speech Communication & Theatre Arts in 2012, and was honored with the Barbara Nickolich Award for Theatre Excellence. As an actor, Phil has performed at the Milton G. Bassin Performing Arts Center, The Living Theatre, and the Black Spectrum Theatre. As a director, he has staged productions for York College, Manhattan Repertory Theatre, Cabrini Repertory Theatre, Roy Arias Stages, The Tank NYC, and the Davenport Theatre. He is a member of the Harlem Camerata, an organization for artists to read and workshop classic and contemporary plays, and is a hip-hop artist with Bizzy Bee Productions, under the stage name Scorpio P.

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Meet Dominique Salerno & The Box Show

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Name: Dominique Salerno

What is your current project?  The Box Show

Where are you performing your show and why is it a good fit for your production?

I am performing this show at The People’s Improv Theater, which is a venue that celebrates creative comedy. It’s a great fit for my wacky little show, and the PIT has a great artistic and administrative team. The Box Show is a one woman show in which I perform over 25 characters from inside a cupboard. The cupboard opens to reveal: a drunken couple mid-fight in Las Vegas, the entire Greek army inside the Trojan Horse, a lonely giantess, a lost pope and so much more! The space is limited, but the comedic possibilities are endless. The New York Times hailed it as “the most purely delicious production …relentlessly inventive…a paragon of Fringe form”, and we won the Overall Excellence for Solo Performance from FringeNYC and Best Comedic Script from the United Solo Theatre Festival. Come check it out!

What’s next for you?
 
I am writing a couple of new pieces (top secret), and I am excited to act in other people’s projects again!

What is the name of the last show you saw?

“Diva: Live From Hell” by Sean Patrick Monahan. It was great!

Any advice for your peers?

Come see the show! 🙂 Also, never stop hustling.
 
Want More?

Website: http://www.theboxshow.org, http://www.dominiquesalerno.com
Facebook: https://www.facebook.com/boxshowtime/
Twitter: @The_Box_Show
Instagram: @the_box_show
You Tube: https://www.youtube.com/watch?v=3d-jPIYzv0U

Dominique is an NY based actor, director, improvisor, and playwright. She received her MFA in Acting from American Conservatory Theater, and B.A. from Princeton University. Recent credits include: PUSSYSLUDGE (Here Arts Center), Love and Information (A.C.T.), A Christmas Carol (A.C.T.), Mr. Burns (u/s A.C.T.), and Lysistrata (Faux-Real Theatre, NYC). Dominique performs sketch with “Feminarchy”, musical improv with her duo “The Moustache Apologies”, and long-form improv with her Armory house team “Bad People.” Her recent solo-show “THE BOX SHOW” won “The Overall Excellence Award for Solo Performance” in FringeNYC and “Best Comedic Script” in the United Solo Theatre Festival. It also was selected as one of the ‘Top 10 shows out of 200’ for the Fringe Encore Series.

Show Information:

When: Sundays: 5/7, 5/14, 5/21, 6/4, 6/11 at 8:30 pm
Where:  The PIT
Address: 123 East 24th Street, NYC
Website: Check out http://www.dominiquesalerno.com or http://www.theboxshow.org

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Meet Jonathan Bruce King & The Gallery Players

Jonathan and I have been chatting about this past season at The Gallery Players. This season has been a great representation of American theatre.  Here it is:

Malini: The Gallery Players celebrates 50 years this year with you as their season producer. The season reflects many genres of theatre (Gypsy, The 39 Steps, A Few Good Men, Marry Me a Little, You’re a Good Man, Charlie Brown, Sweet Bird of Youth, Ragtime, and the upcoming Black Box New Play Festival). How did you and your team decide on the shows?

Jonathan: This season is indeed quite varied. We tried to pick shows that were fitting of a 50th season. As a result, we chose very challenging pieces for a 99-seat theatre to perform. Each show presented a unique challenge and one that gave us a chance to explore new things such as the intricate sets for Sweet Bird of Youth, the many locations of Gypsy to the 35 person cast of Ragtime. The desire was to have the season reflect Gallery’s roots but also show where we want to go with more intricate and audience delighting design, cast and production elements. We wanted to find shows that could wow our audience and how them where we want to take the theater and push the limits of what 99-seat theater can be for the audience.

Malini: The company has a rich history. Harvey Feinstein’s Torch Song Trilogy has its roots there. Seth Rudetsky and many other Broadway folks have performed there. What drew you to this theatre company?

Jonathan: It is actually! I’m a huge fan of both Harvey and Seth, and when I heard that they got their start in our theatre, it further solidified my desire to work there. I think what I have loved is coming into an environment that is there to help artists train and develop their craft. It’s been such a great place to learn producing. I’m so grateful to our Artistic Director, Mark Harborth, and the president of the board, Dominic Cuskern, for the amount of support they’ve given me and the leeway to learn.

Malini: What is your goals as an artist?

Jonathan: First, aesthetically, I try to make art that can only be done in a theater, live. Whether this be some kind of improv, immersive elements, or even just surrounding the audience with singers, I try to make sure that this is something you have to attend to understand. I love live performance and I want my audience to have a reason to see my work rather than watching a streaming video. In a more philosophically, my goal as an artist is to create art that has what it needs to succeed. I’m a big believer in creating a piece that is both sustainable, economically and artistically, that gets exactly what it needs but doesn’t have to get what it wants to tell its story and reach its audience.

Malini: What’s next for the company?

Jonathan: We have big plans! The week after we close ragtime we are presenting a workshopped production of a new musical by Cristina and Robert Farruggia, On the Air. It’s a great new piece and is a first for both Gallery Players and its Overtures reading program. Next season should be a great one as for the first time we’re doing four musicals. I can’t tell you what they are just yet, as our announcement has been held until May 9th at our theater’s 50th Birthday party in Park Slope.

Jonathan-Bruce King hails from the beautiful and slightly foggy, Oakland, CA. Originally trained as an actor at Washington University in St. Louis, he now works as the season producer at Gallery Players in Park Slope. Producing select off-off broadway credits include Bottled Up (DCTV), A Doll’s House (Access Theatre), In the Heights (Gallery Players) and Ragtime (Gallery Players). Outside of his work in theatre and the consulting world he enjoys escaping New York for the sunny wonderland that is the west coast, attending lunches at the Coffee House Club, and reading his favorite points and miles blogs. Artistically he tries to be involved with theatre that is immersive and shows off all the amazing opportunities afforded by live performance.

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Meet Daaimah Mubashshir & Everyday Afroplay

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Name: Daaimah Mubashshir

What is your current project? Everyday Afroplay

Where are you performing your show and why is it a good fit for your production?

EVERYDAY AFROPLAY (EDAP) is a collection of tiny plays exploring contemporary ideas of blackness both globally and in an American-specific context. What’s happening here is kind of outrageous and impossible – there are 5 directors, a choreographer, 10 + actors, and designers working with me on 25 plays. JACK, which is located in Clinton Hill is so perfect for EDAP because there is so much room to experiment and test boundaries.

What’s next for you?

Since I got back from MacDowell Colony in January it’s been non-stop. I got the opportunity to present at Judson Memorial Church, Little Theatre, Classical Theatre of Harlem, Sanctuary at Here Arts, and NY Madness Festival. After Everyday Afroplay, I’ll be returning to my desk for rewrites, doing some traveling and probably taking a couple of naps.

What is the name of the last show you saw?

Frontières sans Frontiéres at Bushwick Starr.

Any advice for your peers?

Instead of advice I’ll reveal what’s working for me:

  1. Actively supporting my colleagues work; openly sharing how I secured opportunities with them because Karma is real.
  2. Sharpening my “Trust my instincts” skill set.
  3. Getting comfortable with asking for more.
Want More?
Website: www.daaimahmubashshir.com
Facebook: https://www.facebook.com/dmubashshir
Instagram: @everydayafroplayDaaimah Mubashshir is a NYC playwright and excited to return to JACK this year. Everyday Afroplay was developed at The Bushwick Starr and The MacDowell Colony. Other plays have been presented by Little Theatre, NY Madness, Classical Theatre of Harlem, Sanctuary at HERE Arts, Going to The River Festival, Ensemble Studio Theatre, Fire This Time Festival, and Rising Circle Theatre Collective. http://www.daaimahmubashshir.com

Show Information:

When: Thursday, April 27 – Sunday, April 30
Where: JACK
Address: 505 1/2 Waverly Ave., Brooklyn, NY 11238
Website/Ticketing URL: http://www.jackny.org/everyday-afroplay.html http://www.brownpapertickets.com/event/2737975

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Meet Ariel Francoeur & The Navigators

Name: Ariel Francoeur

What is your current project? Producing the Fundraiser Performance for my company’s first full-length production, The Aurora Project. The company is The Navigators – which produces feminist Science Fiction Theater.

Where are you performing your show and why is it a good fit for your production?

The fundraiser is at Lovecraft on the Lower East Side. With it’s HP Lovecraft theme and ambiance, it’s a haven for geek genre lovers, and with it’s private rooms downstairs, it’s perfect for benefit events like ours, which will have: readings of 10-minute sci-fi plays by women, sci-fi themed trivia and music, and stand-up comedy.

What’s next for you?

After this I’ll go into full-on Producer mode for The Aurora Project – while also planning our new play festival that takes place at the end of the summer. As a director, I’m also in the development stages with a few scripts, and the pre-production phase of a project in the fall.

What is the name of the last show you saw?

Love and Information by Caryl Churchill, performed by Artists Entrained.

Any advice for your peers?

Stay in one place for awhile.

Want More?

Website: www.arielfrancoeur.com and www.navigatorstheater.com
Facebook: https://www.facebook.com/navigatorstheater/
Twitter:  @_TheNavigators_
Instagram: arielf_isforfeminist

Ariel Francoeur, originally from Vermont, is a director – producer – actor committed to bringing the feminist perspective to modern storytelling. She strives through innovative productions of theater and film to commune with audiences who are new to art and profound group experiences. Ariel received her MFA in Directing from The University of Iowa, where she spent three years directing and developing new work in conjunction with the Iowa Playwright’s Workshop. Her work has also been seen regionally in Maine, Connecticut, Kentucky, Colorado, and Indiana, and in New York at The Chain Theater, Atlantic Stage 2, Manhattan Rep, ATA, Lookingglass Theater, and more. She is the Producing Director of the Navigators Theater Company, which produces new works of Feminist Science Fiction Theater in New York City. Associate member SDC. The Navigators, a Feminist Science Fiction Theater Company, is hosting a benefit performance for their first Main Stage Production The Aurora Project.

Benefit Information:

When: Tuesday, April 11 from 7:30 pm to 11:00 pm
Where: Lovecraft Bar
Address: 50 Ave B, on the corner of Ave B and East 4th Street, NYC. F Train to 2nd Ave, F Train to Delancy Street, or J/M/Z to Essex Street.
Website/Ticketing URL: Click here to secure your $15 tickets

The evening will include Science Fiction themed live music, comedy, and trivia, readings of 10 minute Science Fiction plays by women playwrights, and great conversation with members of the theater community. The cost is $15, plus a two drink minimum or meal. A great deal for a show and a benefit! Reservations highly recommended.

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Meet Heather Wahl and Speranza Theatre Company & Unveiling Liberty

Name: Heather Wahl

What is your current project? Unveiling Liberty

Where are you performing your show and why is it a good fit for your production?

Speranza is performing this show for the community and school in the tri-state area in honor of Women’s History Month. We are a women’s theatre company and are thrilled to share the story of the 1886 unveiling of the Statue of Liberty set against the suffragist movement happening at that time.

What’s next for you?

Summer Theatre Camp (ages 5-12) and then our fall production of Women Rising, Stories of Hope. Women Rising is an original play about survivors of domestic violence that will have a run in Jersey City in October for Domestic Violence Awareness month and will also tour to local high schools and colleges.

Any advice for your peers?

Figure out WHY you are doing the work – any work you do – and the challenges will become stepping stones.

Want More?

Website: www.SperanzaTheatreCompany.org
Facebook: https://www.facebook.com/speranzatc/?ref=bookmarks
Twitter: @speranzatheatre

Heather Wahl (Artistic Director) Heather is a NYC based producer/director/actor who co-founded Speranza in 2008 after graduating from The New School for Drama’s MFA acting program. She has produced ten plays and countless staged readings, directed and/or choreographed 50+ productions, and acted in 100+ shows from off-Broadway to regional work in 36 of the contiguous United States. Theatre Highlights include: Unveiling Liberty;Women Rising, Stories of Hope; Janey Miller’s World Tour; A Piece of My Heart; The Vagina Monologues; The Daughters of Eve; A Midsummer Night’s Dream; (dir. Austin Pendleton); and Anne Boleyn in Rex (world premiere revival).

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Meet Lucie Pohl & Apohlcalypse Now!

Name: Lucie Pohl

What is your current project? Lucie Pohl: Apohlcalypse Now!

Where are you performing your show and why is it a good fit for your production?

Under St. Mark’s Theater at 94 St. Mark’s Place NYC. Apohlcalypse Now! is a show I wrote after an avalanche of disasters exploded into my life over the course of about 2 years and what I tried to do is grab the audience and throw hurl them onto a roller coaster ride with me. Under St. Mark’s is the perfect space to do that; the moment the audience climbs down those stairs and steps through the door they are already on a journey with you. Under St. Mark’s is not only as intimate as my show but also as gritty, real and unmistakably New York. I cherish this theater since it is one of the last of its kind in the city and hearkens back to a time where you could fall down a manhole on Bowery and land in the most amazing performance you have ever seen.

What’s next for you?

In late May I will be brining a show to the Cherry Lane Studio which I am very excited about, I’m working on a film script and am doing lots of stand up all over town.

What is the name of the last show you saw?

Latin History for Morons at the Public

Any advice for your peers?

Work hard. Be nice.

Want More?

Website: www.luciepohl.com
Facebook: www.facebook.com/therealluciepohl
Twitter: @luciepohlcomedy
Instagram: ulovelucie

Lucie Pohl is a German born NYC raised actor, comedian, writer, solo performer, producer and proud immigrant. Her autobiographical storytelling comedy debut HI, HITLER was nominated for the 2015 New York Innovative Theater Award (Outstanding Solo Performance), garnered 5 and 4 star reviews and played to sold out houses at the Edinburgh Fringe Festival, on London’s West End, 59E59 Theatres NY, Los Angeles, The Baltimore Fringe, Dixon Place, Emerging Artist Theatre, across Germany, in Bucharest, Romania and went on to have a full run at IRT Theatre (resident artist) in New York. In 2015, Pohl created her second play, CRY ME A LIVER which debuted at the 2015 Edinburgh Fringe Festival, has been given a run at London’s Vault Festival in early March ‘16 and OFF-OFF Broadway in New York. Her third stand up hour APOHLCALYPSE NOW! played a sold out run at the 2016 Edinburgh Fringe Festival, at the Culture Project in New York and has toured internationally. Lucie Pohl is a regular performer at Dixon Place, UCB, the PIT, IRT and can be seen doing character, storytelling and stand up work at various venues around the city.
Theatre credits include: Three Graces (Immigrant’s Theater Project/3-LD), Alma Mahler: Widow of the 4 Arts (The Los Angeles Theatre), Vocal Migrations (LaMaMa ETC), Flowers in the Snow (Roy Arias), a.o. TV/FILM: FANTASTIC BEASTS AND WHERE TO FIND THEM (Warner Bros.), RED DWARFD XI (Baby Cow/Amazon), HOMELAND (Showtime), THE ODD COUPLE (Margarethe v. Trotta) lead role in the film ‘Magi’ directed by Hasan Karacadag, also starring Michael Madsen (Reservoir Dogs, Kill Bill), NOT FADE AWAY (Paramount Vantage), EL CIELO ES AZUL (Vox3 Films) a.o.. Lucie is the voice of MERCY on BLIZZARD’S OVERWATCH. Creator of the female sketch comedy duo RICH AND FAMOUS (on the in$ide).
MFA in Acting from the University of the Arts in Berlin.

Lucie Pohl is also an op-ed comedy contributor at The Guardian, writes for HuffPost Online, as well as Chortle a.o.

Show Information:

When: March 20-28
Where: UNDER St. Marks Place
Address: 94 St. Marks Place
Website/Ticketing URL: www.horseTRADE.info

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Meet Irina Abraham & The (Last) Station

Name: Irina Abraham

What is your current project? The (Last) Station – a play based on an avant garde text by Eugene Myzica

Where are you performing your show and why is it a good fit for your production?

We are starting our play off at Dixon Place on April 7th. We are a company that relies on venues and festivals that welcome experimentation and open their doors to young theatre companies that are building their audiences and are constantly searching for their own unique theatre language. The spirit of adventure, constant artistic search and dedication to the process are all of utmost importance in our work. We feel that Dixon Place and the audience it attracts are in tune with our vision.

What’s next for you?

We are preparing to perform at The Planet Connections Festival. This venue will be very different from Dixon Place main stage. We are always excited to adjust our shows for different spaces and learn from the feedback we receive. Each new venue is a new adventure.

What is the name of the last show you saw?

Last Work by Batsheva Dance Company. What was most fascinating is how dance affects the audience in a very direct and emotional way bypassing the intellect. The show was both meditative and passionate. It was very inspiring to watch and learn from this company.

Any advice for your peers?

Have fun. The moment you feel this whole theater/film business is turning into endless heavy lifting and a source of stress, take a pause, breath in and think of where the joy could have gone. Find it. Keep playing.

Want More?

Website: www.necessaryitems.org
Facebook: https://m.facebook.com/thenecessaryitems/?ref=bookmarks
You Tube: https://m.youtube.com/channel/UCfKiyxlOkNYuKSV2_nCeSAw

Irina started as a classical and ballroom dancer in Belarus. She traveled Europe with dance companies and eventually an Experimental Youth Theater company. In 2007, Irina came to NYC and studied at HB Studio with Aleksey Burago and Snezhana Chernova, Ilse Pfeifer and Michael Blake. In 2010 her teachers, other actors, love, Spring and New York inspired her to direct her first show Playgrounded. It played at HB Studio and Manhattan Repertory Theatre in NYC and the magic of theater began. From 2010 to 2014 Irina worked as a choreographer and actor with such companies as the Russian Arts Theater & Studio, Nylon Fusion Theater Company, Yangtze Repertory Theater of America, the Bedlam Ensemble, etc. In 2014 Irina co-directed Requiem by Hanoch Levin that was produced by the Tank Theater. She grew to love cinematic language and played leading roles in According to Her (2015, feature film, dir. Estelle Artus) and The Girl On The Ledge (2015, feature film, dir. Paul Rothman), she also appeared on TV Shows such as The Americans and The Blacklist. In 2014 Irina co-founded Necessary I.T.E.M.S. Project. In 2016, Irina also joined the innovative Off Off Broadway Theatre Company Blessed Unrest.

Show Information: 

When: April 7th
Where: Dixon Place
Address: 161A Chrystie Street
Website/Ticketing URL: http://dixonplace.org/performances/the-last-station/

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Meet Benjamin Viertel & The Bitter Tears of Petra von Kant

Photo Credits: Bryce Cutler
Photo Credits: Bryce Cutler

Name: Benjamin Viertel

What is your current project? The Bitter Tears of Petra von Kant

Where are you performing your show and why is it a good fit for your production?

The play is being performed at The New Ohio Theatre and it’s a great fit because it’s in the heart of the gay neighborhood of Chelsea. The play centers on a complex relationship between three women. The New Ohio is the home for the downtown, experimental theater and our production fits in that world perfectly.

What’s next for you?

I’m developing a new musical during a residency at People’s Improv Theater in April as well as releasing Season Two of our company’s webseries, [Blank] My Life. I’m also directing Crimes of The Heart outside of Rochester this summer and directing our company’s new musical Grindr The Musical in Italy.

What is the name of the last show you saw?

Beardo by Pipeline Theater Company

Any advice for your peers?

“It’s a marathon, not a race.” As of now, I’m very excited about the works I get to develop and create. I chose theatre as my life’s work because I enjoy collaborating with artists, and getting to do that is the ultimate goal (not comparing myself to my peers). The other piece of advice I can offer is the same piece of advice I received some years ago from two great directors, Michael Rau and Kim Weild, while at the Kennedy Center, “direct every single day.” Which essentially means, practice your craft every single day of your life. Never give up practicing. Since I’m not yet fortunate enough to be in the rehearsal room every single day, I’ve had to define what ‘practice’ means to me. I recommend all aspiring directors to practice every single day. Finally, directing is not only about what you do ‘in’ the room, but also how to get ‘into’ the room. Directing is not only creative but also a test of your resourcefulness.

Want More?

Website: http://www.thirdspacetheater.org
Facebook: https://www.facebook.com/thirdspacetheater?ref=hl
Twitter: https://twitter.com/3rdspacetheater
Instagram: https://www.instagram.com/thirdspacetheater
You Tube: https://www.youtube.com/channel/UCRF_KZ-Ebe5rrQ2KNIkFsHA

Benjamin Viertel (Director & Co-Artistic Director) Upcoming: CRIMES OF THE HEART (Bristol Valley Theater); GRINDR THE MUSICAL (Pleasance Theater, London & Teatro Elfo Puccini, Milan). Past: FIREFACE (The Brick), CLIPPED (Atlantic Stage II), AVENUE Q (BVT), and award-winning webseries [BLANK] MY LIFE. Benjamin has worked with BAM, Roundabout Theater Company, Huntington Theater Company, The New Group, and The Civilians. Member of Kennedy Center Director’s Lab, MTC’s Directing Fellow, The Civilian’s R&D Group, and Resident Artist at The Brick and Abrons Arts Center. Co-founder and Artistic Director of Third Space. Education: Carnegie Mellon University. http://www.benjaminviertel.com

Show Information

When: February 17th through March 11th
Where: The New Ohio Theatre
Address: 154 Christopher Street, Suite 1E
Website/Ticketing URL:  https://web.ovationtix.com/trs/pr/968065 

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