Friendship: Cas, What is Happening Right Now?

61302_435788954421_135800_nOne of my last conversations with my dear friend friend, Cas, included the phrase “you’re the asshat with cancer”. It’s not important what the context was but just the fact that I could say that to him. We both nodded and and then busted out laughing. Well, I had a good belly laugh. He did his raspy/silent laugh and trying not to feel pain. Two days later we had brunch at the diner. After hugs and kisses goodbye, we had this text exchange:

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Cas and I laughed, gossiped like no one’s business, read each other’s beads (hands in the air and neck rolls), cried together and sometimes sat in the dark in silence. I was spoiled. We lived down the road from each other before he moved to midtown for a spell (near my job). Then he moved back to “Town “, his affectionate nickname for Forest Hills.  Cas was just always near. We could sometimes go for weeks or months without physical contact because of our many ongoing projects. But we knew that we were good. The check in text was our big thing and we tried our best to see each other’s shows. The best times were when we were collaborating together.
Cas was a passionate artist. A brilliant mix of actor and diva. He could turn it on for an audience without effort and then yell at us all backstage for moving his eyeliner a millimeter to the right of his wig. Then he would find it and tell us how much he loved us and then bake us monkey bread or something crazy for the next performance. That was Cas. It was a consummate love fest.
I met Cas in 2002. Ian and I went to see a show in Middle Village called Some Enchanted Evening (Beari Productions). We had just learned that there was theatre in Queens, after years of working in the city. We were so happy to have theatre near home. We were excited to see new work. So, we are enjoying the show when this talented creature belts out “Brush Up Your Shakespeare” from Kiss Me Kate. A huge Cole Porter fan, I fell in love. I turned to Ian and said, “Who is that guy.”  After the show, we waited for him. We had to tell him how much we enjoyed his work. It began there.
In 2004, Cas and I finally got to share a stage together in South Pacific. He was Billis to my Bloody Mary. That was a fun show where many friendships began. Ours shifted as we talked theatre and dreams. And Torch Song Trilogy. Cas always told me that I needed to direct and produce it. We’d work on other shows. There were barbecues in his backyard. There were road trips to see our friends’ shows. There wasn’t an instance of him not mentioning Torch Song Trilogy.
Finally in 2008, I had enough. We were hanging out in his house and he brought up the show again. I said to him, “Fine, let’s just read the third act”.  We did and I was moved. We then proceeded to order Japanese and read the first two acts. We laughed, we cried, we yelled. It was magic. At the end of the night, I said to him, “Let’s do this. I’ll direct you and we’ll do it under Black Henna Productions.”
That began a 5 year collaboration on the many shows that Black Henna produced. That collaboration, infused with our big dreams, led to many wonderful opportunities. We met with Broadway producers, went to the Tony’s, supported many fundraisers, and met many other independent artists with same dreams. Our dreams were also coming true.
Cas pushed me as I pushed him. I feel incredibly blessed to have had him in my life. My career would not be where it is now without him as my one of cornerstones. My relationships wouldn’t be what they are without his nuggets of advice. My faith wouldn’t be as strong if I didn’t see the strength in him.
I did ask his advice before he left us. I asked him if I should take a specific risk. Cas said, “You set these two goals for this year and they are moving along. See them through. Do the risk next year.”
Cazzie, I will. I promise.

Amazing Theatre Cities – Roadtrip?

CaptureI just came across this article as I was cleaning my inbox: 17 Amazing Theater Cities That Aren’t London or New York and I want to go to all of them the exception of Chicago. I went to the Chicago Fringe last year when my friend, Valerie Hager, performed her one woman show, Naked in Alaska (see below). I have also been trying to see more shows outside of the 5 boroughs but sometimes it’s difficult to get to The Bronx and Staten Island. And let me tell you, I really want to be everywhere at all times but alas I can’t. This article reminds me that 1. I need to add it to my bucket list 2. I need to travel outside of North and South America and 3. that I need to specifically go to London and Edinburgh.

 

 

 

 

 

 

TBB: Woman at the Funerals, A Midsummer Night’s Dream, 12 Angry Men

After a long week of celebrating the life of my dear friend, I am reminded of how art heals. What a beautiful outlet! To be able to sing, sit in a theatre, dance at a gala and reminisce of the many projects of yesteryear, that’s just an amazing gift. I will write a separate post and tribute at a later date to Cas. in the meantime, there are some great shows happening right now before we head into the summer festival season. Out in Queens, Theatre Time is doing 12 Angry Men which I LOVE.  Women at the Funerals is going strong. And yes, this is a shameless plug for my husband, Ian McDonald, who will be starring as Oberon/Theseus in A Midsummer Night’s Dream which opens this Friday. I will be there with a bag of fairy dust at Central Park.

Tell me what you’re doing!

See you at the show!

The Closet Bitch is No Bitch

closet_bitchThe house music is blaring and you are dancing in your seat. The image on Shana A. Solomon’s program shows a towering diva. Then she steps on stage, monolithic in her diminutive frame. Engaging and widely talented, Solomon draws the audience into her story in the Boogie Down Bronx, where her father hustled, her mother pleaded from outside closed doors and she just said yes to not make waves. She performs on a stage with one set piece moving flawlessly from character to character.

The show opened at Stage Left Studio in September, returned this past winter and is enjoying another run. Check it out before it closes at the end of the month.

Written and Performed by Shana Solomon
Directed by Kenneth Williams
THROUGH JUNE 30 AT 730 PM

Gray Scott: The Future of Work and Death

photo-smallThere are many types of people in my life. Actors, Writers, Musicians, Attorneys, Accountants, Futurists. I met Gray during Michael Roderick’s ConnectorCon. A passionate discourse was had about quantum physics over paninis and salads. Little did we know that Gray was the keynote speaker of the event. A friendship struck up and wonderful conversations continued on our future. So when shared his news about being a co-executive producer for his documentary: The Future of Work and Death,  I wanted to learn more so I can share with you.  I asked him to tell me more and he did:

What is the meaning of life? Why are we hear? What is the purpose of life? These fundamental questions have yet to be answered. Until now, it seems humanity has been to busy surviving to answer these questions. That is about to change. Advancements in AI and robotics may allow us to automate everything. How will we live in a future without jobs? Can humanity cope with such a massive paradigm shift?

Will near future medical advancements free us from the chains of natural death? Several recent scientific studies have produced startling, some might say, magical results. Scientists have been able to reverse age in mice. Sounds like science fiction but age reversal has arrived. Human trials may start as soon as next year. So what will human life be like in a world free of work and death?

These are the questions that we hope to answer in THE FUTURE OF WORK AND DEATH.

Directed by Sean Blacknell and Wayne Walsh
Co-Executive Producer and futurist advisor – Gray Scott

BIO:

Gray Scott is a futurist, techno-philosopher, writer and artist. He is the founder and editorial director of SeriousWonder.com, and a professional member of The World Future Society. His work has been featured in and interviewed by the The Futurist Magazine, New York Post, Psychology Today, The Star, FOX5 News NY, San Francisco Magazine, H+ Magazine, IEET, Brighter Brains, Media Disruptus, London Futurists, OracleTalk and The One Way Ticket show. Gray lives in NY and is currently also working as the futurist advisor for EMBERS, a forthcoming sci-fi film.

Be a part of this wonderful project. The perks include producer and IMDB credits. I pledged and so should you.

Thank You, Dr. Angelou

65770636f2645c08d887f79999173d9dSome people are just extraordinarily gifted. They have a way with words. Their thoughts are clear and their intentions pure. These days it’s hard to find a public figure to be a role model. I always looked up to Maya Angelou. I loved her voice especially knowing that she had given it up as a child. She chose the written word instead. What passion and dedication! What a full life. What a power of example. I have seen many interviews and read many articles about her but my favorite is her Master Class on OWN. She stares into the camera and tells her story with love and honor. Because she’s The Phenomenal Woman.

My favorites:

“When people show you who they are, believe them.”

“When you learn, teach, when you get, give.” 

From the Oprah interview on Super Soul Sunday: 

OW: I’ve tried to let people know, as you have taught me over the years, that when you forgive somebody, it doesn’t necessarily mean you want to invite them to your table. 

MA: Indeed not. No, no, no. I don’t even want you around me. It just means I’m finished with you. 

Queens Impact Awards Impact Others

photo (1)Usually I write about being in a room of creatives and loving the energy that wildly erupts. Well, last night I was in a room full of do-gooders who were being recognized by the Times Ledger through the Queens Impact Awards. It was a wonderful night. Lots of gratitude. Lots of love. Lots of service. These 27 recipients covered all of Queens as well as the areas of arts, medicine, higher education, civic scene, entrepreneurs and community service. Whether it was Salvatore Lopizzo creating YANA – You Are Never Alone – in the Rockaways to help the post-Sandy community or Audra Fordin creating Women Auto Know – empowering women about car mechanics, we were all united by one common goal:

To be of ultimate service to others through our best talents.

My friend, Valerie, says that 50% is showing up. I agree. Just by sitting there and listening, I am inspired to do something. And I do with Theatre Beyond Broadway and Friends of Maple Grove Cemetery.

Here’s a great note on inspiration:

When I slow down and listen I find inspiration. In contrast, when I was young, I thought the creative process was putting blinders up to the world with the idea that I could make something ‘uniquely from Me’. I thought that if I could come up with something no one had ever seen before, I would be special; I would be somebody.

Me, Me, Me! I was constantly reinventing the wheel and I thought I was clever in the process, but my resources were limited and so was my output. My childish misconceptions, My Ego, were suppressing my true creative flow. Later, attending artists’ workshops and poetry readings, I came to realize that the creative process is an act of opening up to, not shutting out from, what other artists are doing. I am one, my life stops at the corner of my experiences.  But, when I slow down, and open up to listen to other artist’s stories, I can grow exponentially. My life opens up to the corner your experiences.  It is about being present and listening so we are part of the ebb and flow of taking-in–putting-out –taking-in. Great people have been thinking and rethinking, feeling and re-feeling, since the beginning of time. Ideas are not new. I only have new ways of synthesizing them. When I show up, slow down, and listen, authentic creation comes. I can grow at a faster pace. It is as if I take the ideas and feelings I’ve collected home in a basket and rocked them in an old comfortable rocking chair until they become new again.  – Patty Marcinek Yaverski

 

 

Reacting v. Responding

51MfVDOlEkL._SY344_BO1,204,203,200_Once upon a time, in what seemed like a lifetime ago, I overreacted to every little thing that happened to me or someone else. I didn’t have a filter so I made snap judgments. None of it instinctual. None of it fact-based. None of it fair.  I would act on whatever emotion I was feeling in the moment to the chagrin of my husband and very close friends. I thought feelings were facts and that I had a right to tell the world everything that I was feeling. I asked myself why everything was so complicated, why the world hated me and why was nothing going the way I wanted it to go.

Then I had a moment of clarity. I asked for advice and was told from people I respected that I was the problem. Yikes. That’s a scary thing for an egomaniac to hear. Since I wanted to be released from my own crazy and be a functioning member of society, I started to do some work on myself. I decided to make some changes. The first one was learning how to respond rather than react.  For me, responding is taking the pause to allow the feelings to flow through me. I do this in many ways: writing it down, moving a muscle to change the thought, calling a wise friend. When I am done, I am usually relieved of the crazy I was feeling. I think clearer. I handle the situation better than if I was still in all-about-me land. Not that I don’t love that land. I have my own theme song. If I react, nothing good will come out of the situation at hand for me. That’s because I am going off my emotions and become accusatory.

As someone who has also been on the receiving end of a reaction, it kinda sucks. Though I have learned to not take everything personally (thank you The Four Agreements), it’s still hard not to separate what is being said from why it is being said. Thankfully, I have a special circle of people who I can go to guide me past my impulse to react.  It’s never easy. I don’t do it perfect. I just try my best.

 

Pieces, The Quest of the Hero & Allie’s Appendix Open at Planet Connections

Geffner WednesdayI am reading at the Inspired Word on Wednesday night at 7pm at Coffeed in Long Island City. Trying out some new pieces so I’d love for you to be there.

Planet Connections opens this month for 3 weeks. I am pretty psyched about the shows that are going up. Besides, Pieces, The Quest of the Hero! and Allie’s Appendix, there is John Patrick Bray’s Donkey, David Caudle’s Downward Facing Debbie and Siobhan O’Loughlin’s Natural Novice. Check out the listings at http://www.theatrebeyondbroadway.com for more info.

See you at the show!


This contest is still open until Wednesday.

Your name will be drawn from my cauldron if you tell me what show has a kick ass poster/logo/brand. You win two tickets to:

THE ANTHEM is a rollicking sci-fi musical about a revolt of the young against an evil state lovingly inspired by the classic novella “Anthem.” Hunger Games meets Ayn Rand in a world where individuality is illegal. Prometheus abandons everything to confront the State — controlled by the overlord of evil efficiency, Tiberius. With a forbidden copy of Ayn Rand’s ancient tome in hand, can Prometheus overthrow the system?

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