Harvey: Meet Jim Haines

Jim-Haines-Face-2015Name: Jim Haines

Character: Elwood P. Dowd

Why did you want to be a part of this production?
I worked with Mary Lynch, our director, in a production of Lucille Fletcher’s Night Watch. We got along incredibly well, and created a mutual admiration society over our acting abilities, spending a great deal of our time saying ‘You’re GREAT…No, YOU’RE greater!…No YOU are!’ and so on. Mary swore to work with me again (shook her little fist and everything), and after several false starts, she found a theater group willing to produce ‘Harvey’. She asked me if I’d be interested. What am I…nuts?

What’s next for you?
Something big and beautiful. Hello…Universe?

What’s your favorite animal and what is its name?
A Great White Shark named Bruce.

Jim Haines has been acting for 3 decades, punctuated by years of ferocious activity in theater and voice overs, followed by long stretches of ennui. This is not a method of career advancement he recommends. He graduated the School of Visual Arts with a BFA in Cartooning, which is arguably the silliest degree in Higher Education. He draws, paints, designs, animates, sings (kind of) and spends more time on his Mac that with deserving friends. In closing, he’d like to paraphrase John Lydon:’The only place I have ever felt truly comfortable is on stage, or in front of a microphone…or asleep.’ Namaste, Peeps.


HARVEY by Mary Chase

Director: Mary Lynch

Producers: Paul Morisi and Stef Morisi

Tickets: $10 General Seating (all tickets sold at the door)

July 14 at 7pm
July 15 at 7pm
July 16 at 7pm
July 17 at 2pm

Location:
Our Lady of Mercy Parish Hall
70-01 Kessel Street Forest Hills, NY 11375
PLEASE USE THE ENTRANCE OF JUNO STREET. Elevator is available on the side of the church.

Cast:
Nicole O’Connor
Cecilia Vaicels
Victoria Lardieri
Jim Haines
Malini Singh McDonald
Nick Radu
Jeremy Lardieri
Michelle Ruggieri
Rich Feldman
Kevin Abernethy
Chris Martens

For more info email FirstStringPlayers@gmail.com

Flyer designed by Steve Morisi

FSP_Harvey_Flyer

Harvey: Meet Cecilia Vaicels

Cecilia Pro HeadshotName: Cecilia Vaicels

Character: Veta Simmons

Why did you want to be a part of this production?
Harvey is such a great show and I couldn’t pass up the opportunity to work with Mary Lynch and Jim Haines again. Once I met the other actors involved, I knew I made the right choice. What talented people! Rehearsals are a joy … work but fun with a group of people who truly work well together and respect each other. I love the role of Veta. She truly tries to do her best for her brother and daughter. Does it push her over the edge? Well, you’ll have to come and see.

What’s next for you?
Once this show closes, I will start rehearsals for Isle of Shoals Productions’ original musical “Occupation: Dragonslayer” running September 8th through the 25th at the Robert Moss Theater, 440 Lafayette Street, Manhattan. The show is a musical fable that takes place in a doomed diner at Ground Zero on Christmas Eve a year after 9/11, as a mysterious stranger, a firefighter who’s lost his memory, challenges a real estate profiteer cashing in on the tragedy and restores hope to all within. I play Harriet who is the manager of the diner. Since this is the 15th anniversary of 9/11, I feel that performing this particular show, at this particular time, is a way to honor those we lost that day and those who worked so hard down at Ground Zero. For information on “Occupation: Dragonslayer” and how to get tickets go to http://www.isleofshoals.org.

I will also be performing as Lady Alice More in “A Man for All Seasons” on November 18th, 19th and 20th in the Sanctuary of Our Lady of Mercy Church, 70-01 Kessel Street, Forest Hills, NY. For tickets and information, call the Rectory at 718-268-6143.

What’s your favorite animal and what is its name?
I have two in my past. My dog, Skeeter, who seriously thought she was human and my cockateil, Finster, who would whistle along as I practiced for musicals. Well…then there’s Harvey. The jury’s still out on him!

Cecilia Vaicels began acting 26 years ago in community theatre. She has progressed to Off-off Broadway with Isle of Shoals Productions. Off-off Broadway credits include: “That Lady from Maxim’s” (originated role of Gabrielle Petypon/NYMF), “Café Coward” (World Premier originated role of Elsa Maxwell and Long Island Premier as Lynne Fontanne), “Lighthouse” (Evangeline Pratt), “Our Town” (Mrs. Webb), “Still Life” (Myrtle Baggot), “Idiot’s Delight” (Senora Rossi), “an intimate eve with Will & Chris” (various Shakesperian characters) and “Suddenly Last Summer” (Sr. Felicity). Other credits include: “Rags” (Landlady), “The Wizard of Oz” (Almira Gultch/Wicked Witch), “Kiss of the Spiderwoman” (Molina’s Mother), “Into the Woods” (Granny/Giant/Cinderella’s mother), “Fiddler on the Roof” (once as Golda, once as Fruma Sarah), “Annie” (Sophie the Kettle/Mrs. Greer/Connie Boylan), “Little Shop of Horrors” (Puppeteer/Audrey II) and many more. She has appeared in independent films, most recently as Jessica’s Mom in “Dumped”, and even a rap video! Many thanks to my husband, Charlie, and my daughter, Lauren, for all their love and support and to God for my talent! http://www.CeciliaVaicels.com


HARVEY by Mary Chase

Director: Mary Lynch

Producers: Paul Morisi and Stef Morisi

Tickets: $10 General Seating (all tickets sold at the door)

July 14 at 7pm
July 15 at 7pm
July 16 at 7pm
July 17 at 2pm

Location:
Our Lady of Mercy Parish Hall
70-01 Kessel Street Forest Hills, NY 11375
PLEASE USE THE ENTRANCE OF JUNO STREET. Elevator is available on the side of the church.

Cast:
Nicole O’Connor
Cecilia Vaicels
Victoria Lardieri
Jim Haines
Malini Singh McDonald
Nick Radu
Jeremy Lardieri
Michelle Ruggieri
Rich Feldman
Kevin Abernethy
Chris Martens

For more info email FirstStringPlayers@gmail.com

Flyer designed by Steve Morisi

FSP_Harvey_Flyer

Harvey: Meet Nicole O’Connor

image1Name: Nicole O’Connor

Character: Myrtle Mae Simmons

Why did you want to be a part of this production?
I love this play and I was really excited to be part of a straight play for the first tmr.

What’s next for you?
Hopefully, more fantastic shows like this one.

What’s your favorite animal and what is its name?My dog, Stella.

Nicole O’Connor has been acting for many years. She has played Miss Hannigan in Annie Jr., the Wicked Witch in The Wizard of Oz Jr., the Witch in Into the Woods Jr., and a nun in The Sound of Music. She also recently performed in “Alvernians on Tour” in Disneyland, California, as well as A Salute to Sondheim at the Iridium Jazz Club, NYC. Nicole would like to thank her family for their support. She would also like to thank her acting coaches.


HARVEY by Mary Chase

Director: Mary Lynch

Producers: Paul Morisi and Stef Morisi

Tickets: $10 General Seating (all tickets sold at the door)

July 14 at 7pm
July 15 at 7pm
July 16 at 7pm
July 17 at 2pm

Location:
Our Lady of Mercy Parish Hall
70-01 Kessel Street Forest Hills, NY 11375
PLEASE USE THE ENTRANCE OF JUNO STREET. Elevator is available on the side of the church.

Cast:
Nicole O’Connor
Cecilia Vaicels
Victoria Lardieri
Jim Haines
Malini Singh McDonald
Nick Radu
Jeremy Lardieri
Michelle Ruggieri
Rich Feldman
Kevin Abernethy
Chris Martens

For more info email FirstStringPlayers@gmail.com

FSP_Harvey_Flyer

Harvey: An Oldie but A Goodie – Opens 7/14

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Photo Courtesy of Mark Lord,  Queens Chronicle

I rarely act these days. I tend to be behind the scenes – producing, publicizing, directing – enjoying the magic created by artists. I believe it takes courage to get on a stage and bare your soul.

“Art is prayer is love is creation is expression.” I came up with that gem some years ago. My personal prayer to the theatre gods who keep my passion burning for this art form. So when the opportunity presented itself, I thought to myself that it might be time to audition for a show. The opportunity presented itself through my dear friend and one of my actresses, Mary Lynch. Mary has one of my actresses for 13 years. She played M’Lynn in Steel Magnolias, my first professional gig. I was a young director finishing grad school; newly married; new to Queens theatre. She and I just connected and I directed her in at least 5 plays including Torch Song Trilogy and Plaza Suite.

Now she is the director and I follow her vision. Harvey is a wonderful play. Yes, it is dated in some spots but there’s this innocence under the comedy that I find delicious. I am playing Nurse Kelly with an amazing cast. All we do in rehearsal is laugh and work. And eat. We enjoy eating very much.

I would like you to meet these extraordinary folks. I am putting them in the limelight as we get ready to open 🙂

See you at the show!


HARVEY by Mary Chase
Director: Mary Lynch

Producers: Paul Morisi and Stef Morisi

Tickets: $10 General Seating (all tickets sold at the door)

July 14 at 7pm
July 15 at 7pm
July 16 at 7pm
July 17 at 2pm

Location:
Our Lady of Mercy Parish Hall
70-01 Kessel Street Forest Hills, NY 11375
PLEASE USE THE ENTRANCE OF JUNO STREET. Elevator is available on the side of the church.

Cast:
Nicole O’Connor
Cecilia Vaicels
Victoria Lardieri
Jim Haines
Malini Singh McDonald
Nick Radu
Jeremy Lardieri
Michelle Ruggieri
Rich Feldman
Kevin Abernethy
Chris Martens

For more info email FirstStringPlayers@gmail.com

Photo Courtesy of Stef Morisi

13516255_10207064983207343_8362842805872196235_n

Guest Blogger Manny Rodriguez Reviews “Power!” Stokely Carmichael

 

On a humid summer night, Stokely Carmichael gathers us together and prepares us for what’s to come. He stands on a bench and rolls up a sign into a makeshift bullhorn and tells us we better get ready. The gravity of the situation can be heard in his voice. This is real and we have to take it seriously. White supremacy kills and we must understand that. Carmichael then jumps off the bench, puts the sign down, looks at the audience directly and asks with a wry smile, “You ok?”

Going into Meshaun Labrone’s one man show, “Power! Stokely Carmichael,” we’re automatically ready for the sober, hefty civil rights lesson that’s coming. But Meshaun Labrone’s brilliance is his awareness of the subject’s weight and ability to teach it with a level hand.

Like all great leaders, Carmichael was able to relate to his people by visualizing the struggle for us and bringing you to a place where you could deal with it mentally. But if Martin Luther King and Malcolm X were the prinicipals of the school, Carmichael was your favorite, down to earth teacher you loved. That teacher who told you entertaining stories of his mentors, the aforementioned King and X, and made you understand the importance of what they did and the greatness they possessed in them. His gift, so beautifully captured here by Mr. Labrone, was to make you see that those gifts were in you too.

Labrone first shows us the pain of living as a black man as he moves from Carmichael and takes the guise of a 74 year old man who has worked all his life for an abusive white man. Illuminating the torture of everyday life is then balanced by an examination of some of the joys in life, most notably the music of James Brown. Labrone wins us over with his charisma (and dancing skills—that split was awesome!) and never lets go. He expresses the love he has for Black women by pulling a lovely sister from the audience and bringing her onstage. This could have been awkward in another actor’s hands, but with Labrone it is sweet, funny and enlightening. All of this is made that much easier and entertaining by Jennifer Knight’s fluid direction. Each lighting change and transition is seamless and our attention is never lost.

But Labrone’s major achievement is drawing the parallel between 1960’s Black America and our 2016 version. Our hatred of Black skin, our fear of white supremacy, and our willingness to lose our selves for the fruitless prizes of American society still hold us back. And Labrone doesn’t hammer this point home. He respects our intelligence by allowing us to come to it naturally. The same way all the great teachers do.

Venue:

Lounge Theatre

6201 Santa Monica Boulevard

Perfomances:

Sunday, June 5th

Friday, June 10th

Saturday, June 11th

For more info, visit https://www.facebook.com/POWERSTOKELYCARMICHAEL/?fref=ts and www.powerstokelycarmichael.com

UPCOMING DATES TO BE ANNOUNCED FOR CAPITAL FRINGE AND NY INTERNATIONAL FRINGE FESTIVAL

Power!

Guest Blogger Nick Radu Reviews Bedroom Farce

Bedroom Farce

If you’re looking for a good time, a good show and a few good laughs you need only go as far as the bedroom; or three bedrooms, as it is in Alan Ayckbourn’s Bedroom Farce. Under the creative and talented eye of director Andrew Block, the title and the performances do not disappoint when it comes to comedic farce.  The entire play takes place in three separate bedrooms, owned by three of the four couples in the play.  Ian McDonald did a spectacular job of creating the space, with three full beds, as well as walls and doors and other nooks and crannies to differentiate the playing spaces. But it’s Block’s clever blocking that keeps this play moving, and from becoming a giant mess of beds vs people.

Trevor and Susannah, played by Simon Pearl and Alexandra O’Daly, respectively, are a couple whose marriage is on the rocks, and everyone else knows about it.  These two actors have great chemistry as they battle it out in the most awkward of places; other people’s bedrooms.

Trevor’s parents, played by Viki Boyle and Mitch Giannunzio, give us a wonderful insight into married life during middle age.  They seem to have the experience and the answers, but we are privileged to watch these playful actors as their true colors come out when they’re forced to deal with unmentionable topics.

Nick, played by John Gazzale, makes us all cringe as the bed-ridden character agonizing over a slipped disc.  We have the joy of watching his wife, Jan, played by Mel House, deal with her husband’s pleasantries during this crazy romp.  The two have the best moment in the play as these great physical actors give the audience their money’s worth!

In fact, the entire cast has wonderful comedic timing, but the scene stealers are clearly Joscelyne Wilmouth, playing Kate, and Toby MacDonald, playing her husband, Malcolm. These two have it all: chemistry, timing, physicality, you name it.  MacDonald has such a great take-charge way about him, while still being adorably funny.  Wilmouth shows the most range as she interacts with the other characters and deals with her own bedroom shenanigans.

Stop down to the Fifth Avenue Presbyterian Church and catch one of the remaining performances of Bedroom Farce. You’re in for a treat!

VENUE:
Jones Auditorium
Fifth Avenue Presbyterian Church
7 West 55th Street
(on the 3rd Floor)
PERFORMANCE DATES:
7 pm Saturday, April 16
2 pm Sunday, April 17
7 pm Tuesday, April 19
7 pm Wednesday, April 20
7 pm Thursday, April 21
7 pm Friday, April 22
7 pm Saturday, April 23
2 pm Sunday, April 24
Visit HERE for more info.

Meet Shellen Lubin

Screen+Shot+2015-02-22+at+4.27.01+PMMy conversation on gender parity continues with Shellen Lubin. Shellen is a powerhouse. She wears numerous hats as a Songwriter, Playwright, Director, and Vocal/Acting Coach.  She is also the Co-President of the Women in the Arts & Media Coalition, VP of Programming of the League of Professional Theatre Women, and a member of most unions and guilds in our industry, and of the National Theatre Conference.

Shellen shares about The Women in Arts & Media Coalition:

Founded in 1990 (as the New York Coalition of Professional Women in the Arts & Media, Inc.), the Women in the Arts & Media Coalition is a centralized resource for the advancement of professional women in film, theater, television and communications. Combining member organizations’ abilities and strengths in a collaborative effort, the Coalition’s mission is to empower women in these industries through advocacy, mentoring, networking, and events. Members include many of the unions and guilds in our industry, as well as larger and smaller organizations dedicated to the advancement of women.

There are a number of benefits of being a member of the Women in the Arts & Media Coalition, starting with being part of a movement promoting parity and diversity in our industry. Membership in the Coalition is not by individuals, but by organizations, and is determined by the size of membership. Full Member Organizations have the greatest number of individual members and include unions and guilds, such as Local 802 AFM, Actors’ Equity Association, Dramatists Guild, SAG-AFTRA, Stage Directors and Choreographers, Writers Guild of America East, and organizations like the League of Professional Theatre Women, New York Women in Film and Television, and New York Women in Communications. Affiliate members include the International Center for Women Playwrights, the Women’s Media Center, Women Make Movies, Women in Music, the Drama Desk, and The National Theatre Conference, to name but a few.  Last year a new membership category for academic institutions emerged with The School of Visual Arts becoming the first academic affiliate. All together, the organizational membership totals more than 100,000 women and men.

The Coalition often co-produces events with its member orgs. Member orgs are not only able to help with the design and follow-through of these programs, the Coalition is also available to help with any events from its member orgs that are of particular interest or value to women. If any one of our organizations offers a discount to the broad Coalition membership, the Coalition will publicize those events in their newsletter, calendar, and blog. Additionally, the Coalition is always interested in creating a Cross Meet and Greet between member orgs who are interested in having their membership network with each other. Our last such Meet and Greet was a three-way jam-packed networking event at WGAE with NYWIFT and WMM.

The Coalition offers a huge number of valuable resources on their website.

One useful resource is the Women in the Arts & Media Communal Calendar, which lists all events of interest for women, arts, and media, and is becoming the place to look for events, and to schedule in advance and check for conflicts. As a member of Local 802,, you are a member of The Coalition and are invited to all the events, awards galas, and networking opportunities listed there (unless they are listed as blackout dates only).

Go to http://www.womenartsmediacoalition.org/communal-calendar/ to learn about upcoming events and openings of interest.

Newer projects include: the Studies page, http://www.womenartsmediacoalition.org/studies/, an extensive database with links to Studies around the world on gender representation in theatre, film, and television.

For those seeking funding, residencies and opportunities to submit original work, go to http://www.womenartsmediacoalition.org/opportunities/ for both  #StageOpps and #ScreenOpps newsletters.

Last fall the Coalition spearheaded a Percolating Gender Parity in Theatre summit, bringing organizations together from the Coalition and beyond, from around the world, to share and coordinate efforts. A Percolating Gender Parity in Music summit is planned for Fall 2016 and Gender Parity in Media for Spring 2017..

The Coalition also shares news and information from all its member orgs and other organizations of interest on their blog and on facebook and Twitter. Anything any member org has to publicize that would be of interest to sister organizations in the Coalition can be shared by any and all of those means.

The Coalition also sponsors two Signature events, usually one each year in rotation.  The first is The Collaboration Awards, which honor professional women in the arts and media from different specializations working collaboratively on the creation of new work. The award recognizes the best of these collaborations. The last Collaboration Awards Gala in 2015 celebrated honorees in the disciplines of playwriting, songwriting, filmmaking, and directing. The winners were playwright T.D. Mitchell and director Sheryl Kaller for QUEENS FOR A YEAR which will be premiering at Hartford Stage in Fall 2016.

The other Signature event for which the Women in the Arts & Media Coalition is known is VintAge, which celebrates older women, and what is possible both in their representation and in their employment. In 2014, The Coalition granted the 1st Elsa Rael VintAge Award, for advocacy of women aging in the arts and media, presented by Tisa Chang to Morgan Jenness for her work on behalf of the playwright Maria Irene Fornes.

The Women in the Arts & Media Coalition’s combined membership is larger and more diverse than that of any other alliance of women in the arts and/or media. As a resource for professional development and social exchange, and as a force for the voice and vision of women working towards parity and diversity in the arts and media, the Coalition is a continually expanding force to be reckoned with. It is a wonderful resource from which we hope you will benefit.

Shellen Lubin

Writer/Director/Teacher of Theatre & Music

shellen@shellenlubin.com

www.shellenlubin.com

facebook:  Shellen Lubin

LinkedIn:  shellenlubin

twitter:  @shlubin

 

Co-President ~ Women in the Arts & Media Coalition

info@womenartsmediacoalition.org

www.womenartsmediacoalition.org

facebook:  www.facebook.com/WomenArtsMedia

twitter: @WomenArtsMedia

 

VP of Programming ~ League of Professional Theatre Women

shellen@theatrewomen.org

www.theatrewomen.org

facebook:  www.facebook.com/pages/League-of-Professional-Theatre-Women

twitter: @LPTWomen

 

Monday Morning Quote

www.mondaymorningquote.com

facebook:  www.facebook.com/pages/Monday-Morning-Quotes

twitter: @MonMornQuote

Downtown Urban Arts Festival Features Chip Bolcik & Ferry Limbo

Playwright’s Name: Chip Bolcik

Tell us about your latest project: 

Ferry Limbo is a play I wrote to honor my friend John, who died 21 years ago from a rare bone cancer. The play does not focus on the actual events of his life, but rather on the kind of person he was. This play is a departure from my normal style of writing. I tend to write comedies, and romantic comedies. Ferry Limbo, though it has some humor in it, is a much more serious, though septet play.

What excites you about being a part of the Downtown Urban Arts Festival?

The Downtown Urban Arts Festival is a big step up for me and my creative team. They are extremely well organized, and incredibly respectful of writers. I have never felt so important before! I respect the way they work, and how they treat the people they invite to participate.

What’s your upcoming project after the Festival?

After the festival, I’m headed home to Los Angeles, where I will continue writing the full-length play I’m writing about marriage.. Then I’m off to Alaska where my play, ‘Til Death Do Us Part” is going to be part of the Last Frontier Theatre Festival. It is my fourth year in a row being part of that festival.

Facebook Page: 

https://www.facebook.com/Chip.Bolcik.Photography/?fref=ts

SHOW INFO:

Saturday, April 2 at 7pm

HERE (145 Sixth Avenue – enter on Dominick Street)
Tickets are $18 at http://www.here.org or by calling 212-352-3101

Downtown Urban Arts Festival Features Irene Hernandez & One Size Fits All

CapturePlaywright’s Name:  Irene Hernandez

Tell us about your latest project: 

One Size Fits All – a one act play about women of different sizes and shapes trying on clothes in a department store fitting room. Out of frustration, the women break the fourth wall and confide in the audience about their experiences with insecurity, body shaming , objectification and finding the right outfit.

What excites you about being a part of the Downtown Urban Arts Festival?

I’m happy to be a part of the festival with my work for the third year in a row. DeVante and Marc are great and the crew working are supportive and excellent.

What’s your upcoming project after the Festival?

I will continue acting, writing, producing and directing a comedic web series I created, called Brand New Me. I also just finished writing my first musical.

Website: http://www.dancingfrogtheatercompany.weebly.com

Facebook: https://www.facebook.com/irene.hernandez.75491

Twitter:  @dancingfrogthco

SHOW INFO:

Friday, April 1 at 7pm

HERE (145 Sixth Avenue – enter on Dominick Street)
Tickets are $18 at www.here.org or by calling 212-352-3101

Downtown Urban Arts Festival Features Anthony B. Knight & No Cowards In Our Band

Playwright’s Name: Anthony B. Knight, Jr.

Tell us about your latest project:

This project is a performance piece and concert and was created to tell important Civil War and Reconstruction stories. It also was created to showcase the beauty and the power of the Negro spiritual.

The stories that are told begin with that of nineteenth-century icon Frederick Douglass. Not only is Douglass’ life a fine example of the strength and determination of the human spirit, but also Mr. Douglass’ innate verbal skills, as well as his social and intellectual abilities, demonstrate the responsibility each person has to find his/her strengths, to follow them, and to actively use them for his/her life’s work and in the face of any challenge that might befall him/her.

Using Frederick Douglass as the mouthpiece of the time, other important stories that are told in this piece are: how African Americans freed themselves from enslavement; the importance of family to enslaved African Americans; the role of African Americans in the Abolitionist Movement; the turning points that were the Fugitive Slave Act of 1850, the Dred Scott case of 1857, and the election of President Abraham Lincoln in 1860; and Frederick Douglass’ role in post-Civil War society—Reconstruction and post-Reconstruction. Much of this information, even if scantily known, is told, in this project, in a way that makes it more accessible, and gives the audience a chance to absorb it in a more personal way. Frederick Douglass introduces the information in a manner that allows audience members to think about the implications of these historical events rather than just taking in information as a mere exercise in rote memory.

In addition to Civil War stories, the other important element of this project is the Negro spiritual. The history of Negro spirituals is well known in most African American communities—if only anecdotally. Spirituals are known to have been a healing mechanism that played an important role in saving many enslaved African Americans. This performance piece was written around the Negro spiritual, as before putting even one word to paper, I listened to many Negro spirituals and from them selected nine songs I felt not only would tell Frederick Douglass’ story, but also the Civil War and Reconstruction stories that were important to tell. The result is a performance piece with a Negro spiritual concert at its core. The two are intimately connected and cannot be separated. To that end, the piece was designed so that Frederick Douglass and the vocalists would interact with each other throughout the piece—each one part of the other.

Finally, the piece is designed so that Frederick Douglass and the vocalists have opportunities to interact with the audience. Allowing Frederick Douglass to speak directly to an audience member’s face, or having a vocalist sing, specifically, to two or three audience members at a time connects the audience in a more visceral way not only to the information and to the performers, but also to their own thoughts and emotions. Their theater experience is lived versus observed.

What excites you about being a part of the Downtown Urban Arts Festival?

The opportunity to present Civil War history in a way that looks more at people and culture, and not war–and sharing this information with a New York audience (my hometown).

What’s your upcoming project after the Festival?

Working on a piece about African American migration from the south to the north.

Website:

Facebook Page: 

https://www.facebook.com/profile.php?id=100010250348599

SHOW INFO:

Friday, March 25 at 7pm

HERE (145 Sixth Avenue – enter on Dominick Street)
Tickets are $18 at http://www.here.org or by calling 212-352-3101