Guest Blogger: Isaac Klein’s The School of Doing

UntitledIsaac and I met during his production of See Jane Give Up Dick at last year’s Fringe Festival. We bonded over our mutual passion for theatre and directing. Plus, he makes me laugh and loves puns. When Isaac told me that he was writing a book on his mentor, the well-respected Broadway director and teacher, Gerald Freedman, I felt very connected to that idea. I identified with his feelings about his mentor and funneling that history into a book. Like Isaac, I am still close to my two theatre mentors from undergrad. I still turn to them when I need guidance. I still use the tools that they gave me almost 20 years ago not only in the theatre but in life.

     The greatest teacher I’ve ever had is Gerald Freedman. He revealed to me my true calling, then provided me with the tools I needed to pursue it. There are thousands of others who share this sentiment, in schools, theaters, and communities around the world. Gerald’s singular teachings resound in so many hearts and minds, but they’ve never been written down in full. It is my mission to do so.

     Gerald Freedman was instrumental in some of the most important theater in the last century. As a young man, he went back and forth between directing for the screen in Hollywood, and working in New York with Jerome Robbins, for whom he assistant-directed the original West Side Story. He banded together with Joe Papp, and directed numerous star-studded productions to critical acclaim in the early days of the New York Shakespeare Festival, commonly known as Shakespeare in the Park. Gerald directed the world premiere of the now-legendary musical, Hair, which was also the inaugural production at the newly founded Public Theater. He served as Artistic Director at Stratford’s American Shakespeare Theater and the Great Lakes Theater. He directed celebrated productions on and off-Broadway, won an Obie Award, and was the first American to direct at Shakespeare’s Globe Theater in London.

     Despite these extraordinary achievements, Gerald’s most meaningful work happened in the classroom. He has taught acting and directing at Northwestern, Yale, Juilliard, and the University of North Carolina School of the Arts, where he became Dean of the School of Drama in 1991, and proceeded to turn the program into one of the most highly ranked and well-respected drama conservatories in the United States.

     In February 2011, at the age of 84, Gerald suffered a series of strokes. His life has changed drastically since then. Gerald remains in good health and high spirits, but his strokes have left him hindered by aphasia.

     Gerald and I had often discussed the prospect of writing a book together, but soon after his strokes, we agreed it was time to begin the work. We were reminded of life’s fleeting preciousness, and, now that Gerald was retired, he needed a new project to focus on and keep him busy.

    Thus far, I have conducted in-depth interviews with over 90 of Gerald’s colleagues. This list includes Christine Baranski, Olympia Dukakis, Sheldon Harnick, Rosemary Harris, Hal Holbrook, Stacey Keach, Kevin Kline, Shirley Knight, Carol Lawrence, Ming Cho Lee, Patti LuPone, Larry Moss, Jack O’Brien, Hal Prince, Mandy Patinkin, Austin Pendleton, Missi Pyle, Chita Rivera, Alfred Uhry, Robert Waldman, and Sam Waterston.

     I have spent weeks interviewing Gerald in his North Carolina home, and months poring through old notebooks, articles, speeches, videos, and audio recordings of Gerald in action in the classroom.

     Gerald’s philosophy goes far beyond the technical application of craft; it provides fundamental tools for life. “How do I really listen?” “How do I communicate truthfully?” “How do I stay in the moment?” “How do I solve interpersonal problems?” “How do I teach and learn effectively?” “Why do actions speak so much louder than words?” “How do I discover what’s really happening between people?” “Who am I?” The journey to profound personal discovery begins with the key questions of Gerald Freedman’s curriculum.

     I began my work on this book with the earnest intention of creating a record of Gerald’s teaching, of giving back in some small way to the man who gave me my life. I have gained traction and momentum via the profound enthusiasm of everyone I talk to about the book. Over and over I hear: “I am so glad you are doing this.” Gerald has championed so many of us. The time has come for us to turn and champion him, and share his great wisdom with the world.

Piecing Together Pieces: A Look into DID

10338326_894072067285776_1055323499425487029_n (1)About 3 weeks ago, I received an email from Lauren Cunfer asking to be connected to Kristen Penner and Lorelei Mackenzie, writers of Pieces. Lauren is a student at CITYterm and needed more information for her final research paper about musical theatre. Now, it’s no secret that I am a part of the creative team of Pieces. I believe in the message of the show (to bring awareness to Dissociative Identity Disorder) and I believe in the team that created this beautiful musical. I thought the exchange was a wonderful mentoring opportunity. Honestly, kudos to Lauren for sending me an email.

Below is some of the questions asked by Lauren and answered by Kristen. You have 4 more chances to see the show.

What was the most difficult part about creating Pieces?

The structure! With other, more standard musicals, structuring the show is much easier.  But Pieces hold a different challenge than most. We had to include as much of the structure of real DID therapy while including the internal world of Tabby’s alters and also giving her an outside life. That should be three different shows that we combined into one. And the structure has changed numerous times throughout the show’s life thus far and may even change more as it developed. It’s a process.

Why did you choose to create this specific musical?

The idea sprung from my mind in college as I was deciding on the topic of my thesis. I had actually grown up being very familiar with the disorder (I knew 2 multiples growing up). And so after watching Sybil and reading numerous case studies, I decided on “How to accurately portray DID onstage and why it is important to do so.” From that point on I wanted to write a stage show centering round the disorder. My advisor for my thesis knew my heart had always been with musicals and one day she asked me why I didn’t just write a musical about it. At the time I scoffed, thinking it was too deep of a topic for a musical. But that as where the idea began. And the rest is history.

Was the idea of creating a completely original musical daunting to you?

Yes. Very. It is always scary starting a new project from scratch.  But we have an amazing team. And we are passionate about the topic. Combine those two things and you are doing a disservice to the world NOT pursuing your idea.

How did you take into account the many people who would be watching the show when you were creating it? How do you try to gear your show towards different audiences?

We knew we had to make the music and the story accessible to the general public. It’s a tough topic and not something that necessarily cries “Broadway Hit.” We knew we wanted the main focus to be about Tabby and her journey towards healing, we knew we wanted a love story, we knew one of the goals was to have the disorder be more understood by the end of the show. And with those parameters we began work. We also made sure to give the show plenty of levity- it’s a hard topic and we didn’t want to lose the audience by beating them over the head with the abuse. That wasn’t the point of the show anyway. The show is about hope and that’s what we wanted to showcase. We try to make the story and the music accessible. Especially in Pieces, there are so many different styles of music that at least some song should appeal to everyone. Whether they like, rock, musical theatre, or classical, Pieces has it. And the story, although centering around a very specific disorder, is a universal one. Everyone at some point in their life has trouble reconciling the different parts of themselves. Becoming whole. Loving themselves for who they are. Putting the past behind them. All of these things are the basis for the show.

Click HERE to listen to a few songs from the show.


Wednesday, May 28 at 5:30pm
Friday, May 30 at 9pm 
Saturday, May 31 at 8:30pm
Monday, June 2 at 4:30pm

PERFORMANCE VENUE:
Paradise Factory Upstairs Theatre at 64 East 4th Street

Book, Music and Lyrics by
Kristen Penner, Lorelei Mackenzie and Joni Ernst

Directed by Nick Radu

Tabby doesn’t know why time slips through her fingers like sand. But her alters, created to protect her, know. They know what’s locked away. But when survival depends on confronting those terrors, will Tabby and her alters be strong enough to look? Or will the darkness destroy them all?

From the award-winning creators of Pageant Princess, the provocative new musical Pieces tells the story of Tabby Morgan, a woman that has Dissociative Identity Disorder, who is desperately trying to survive in a world that she can’t remember experiencing. But her alternate personalities can. Along with Tabby, her alters bring a unique touch to the story that is all their own. Each of the alters is played by a different actor to give the audience a clear idea of how each personality sees themselves. They each also hold a different style of music; from rock to classic, jazz to contemporary musical theatre, their personalities shine through the electric score.

Stepping Out of the Box

IMG_8022-001What a weekend! Today’s post will be full of gratitude. The weather was beautiful this weekend and I definitely took advantage of it. Many thanks to everyone who supported my shows in Planet Connections – Pieces, The Quest of the Hero and Allie’s Appendix – as well as all the other great pieces. Congrats to Josh Rivedal and his amazing one man show this weekend. What a performance!

Much love to those who came to the Victorian Tea Wedding at Maple Grove Cemetery. It was fun to dress in costume and be in the ceremony. Kudos to the poets at Inspired Word’s Poetry Slam at Funkadelic Studios. Being a judge reminded me that poetry slam is next on my list to do!

I spent yesterday running around the city on a relationship building scavenger hunt. I met some great people through Small Pond Enterprises‘ event. Unfortunately, I can’t go into detail here about one of the places I visited. I will say this though:

Unless we step outside of our box, we will never know what else is out there waiting for us. Walk through the fire folks!

And…

See you at the show!

Victorian Wedding of Mary & Jonan Coward; The Gospel According to Josh

imageThis weekend I am going to be a guest at The Victorian Tea Wedding at Maple Grove Cemetery. My husband, Ian, is portraying Jacob Riis as best man. and my best galpal, Amanda Doria is Elizabeth Riis as matron of honor. So there will be a toast and singing and celebration. The bride and groom, Mary and Jonan Coward, were separated during the Civil War and didn’t reunite until 50 years later. Friends of Maple Grove Cemetery is giving them, who are buried side by side, the wedding they never got to have as teenagers.

Very cool!

Planet Connections opens this week. If you follow me on Twitter or are friends with me on Facebook or are part of the Facebook Group page, then you’ll be reading all about about the shows that are going up.

Check out the listings to the right and http://www.theatrebeyondbroadway.com for more info.

See you at the show!


Capture

Josh Rivedal returns to New York City with a limited run of his show. I promoted his book last summer and am excited about seeing his one man show.

There’s a group of us attending opening night so I’d love for you to join us. Send me an email at Malini@theatrebeyondbroadway.com for more info.

From The Maury Povich Show to Huffington Post columnist, the critically acclaimed show returns for a limited engagement.
Tortured by his thoughts, Josh finds himself standing on the ledge of a 4th floor window, contemplating jumping out to end it all; in a moment of truth, he must reach out to the only person who can help him before it’s too late. Featuring cameos by Ella Fitzgerald, Sammy Davis Jr., and Elvis; The Gospel According to Josh is a comedic and poignant true-to-life tale of love, loss, struggle, and survival. It’s a gospel account of one young man’s passage into manhood:  his 28-year Gentile bar mitzvah.

A journey through depression and coming out the other side…

PERFORMANCE SCHEDULE
FRIDAY, MAY 16 at 7PM,
SATURDAY, MAY 17 at 2PM & 7PM
SUNDAY, MAY 18 at 3PM

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Guest Blogger: Linda Gnat-Mullin Shares How Kisses Started

kisses-out-of-the-blueAbout a month ago, I met and interviewed Linda for International Women Artist’s Salon Radio. She was our guest solo artist there to discuss her book Kisses Out of the Blue. We bonded right away because I am a hugger. Those who know me know that I say hi by hugging. It does throw people off but that’s who I am. I asked Linda what was the impetus to transition to the area of wellness. Then she told me the following:

Plastic bags. The F-22. Cigarettes. Nuclear energy. Porcelain collectibles. For nearly thirty years as an advertising copywriter, I wrote glorious junk about serious junk.

In 1999, after a day of meeting with a big banking client, my brain departed for thirty-six hours. Transient Global Amnesia. When consciousness returned, the message was clear: we all come here with a mission and I was screwing mine up.

There were earlier, gentler communications I had ignored. You see, I had always loved intuition and powers of mind. Even as a kid, I was fascinated by hypnotists on television. Starting in the 1970’s, I had learned several systems of healing, including Reiki. But I didn’t see a real place in this world for a healer/helper me. The amnesia finally taught me that it was time to get going.

I opened my Reiki practice in 2001. At the start, some clients had a conventional response to a session: receive energy, bliss out, float home. Neat and simple.

But life isn’t simple, life is messy, life throws you curves. Other clients came to me with strange constellations of symptoms. Clearly, I had to see the body as considerably more than a briefcase for brains. I had to learn its wisdom. I studied several shamanistic traditions and energy systems, Jungian archetypal work, soul retrieval, past life regression, mediumship, parts therapy, and spirit healing. Over twelve years, I learned to assist people in releasing deeply held effects of the past without re- traumatizing, so they could live their truth.

Ultimately, I believe that earth is the planet of distraction. We come here to clean up serious karma and do soul-stuff, but we can get off-course from all that earth demands. So we can also create lots of new karma in quick order. It’s like being at the high-stakes table.

I wanted to offer a gentle reminder, a little perspective, some help in the form of a book. It took me seven years to understand how to write my book. Piles of scribbled, chai-stained pages attest to it. Finally, it came to me: write the book I would like to read. Kisses Out of the Blue offers twenty-two strange and true stories, with lots of room for you as the reader to decide what to take away. At the end, some questions. In this book, I am telling you true and sometimes funny stories about life, work, healing. Showing you what lies beyond the obvious.

Giving you an opportunity to see your own life in a new and different way.

People have told me that these stories move their energy. They love that I don’t tell them what to do. They like how the book widens their perspective. They read it more than once. Readers keep it near their beds, even under their pillows. This is good. Perhaps with Kisses Out of the Blue, any wake-up call you may require will be as gentle and inviting as…well, you know!

Linda Gnat-Mullin

lindagnatmullin@gmail.com

NOTE: Kisses is available on Amazon, B&N, and other online retailers.

Reading and Book Signing

Sunday, June 1
The 440 Gallery
440 6th Avenue (Bet. 9th and 10th) in Park Slope.
4:40 pm

An Octoroon by Branden Jacobs-Jenkins, Directed by Sarah Benson

OctaroonSHowPage_3An empty black box save for a microphone on a stand and a single upstage door sets the stage for this smart, funny, and thought provoking theatrical experience. Hang on tight as the Soho Rep hurtles you through time to the antebellum South through quick changes, textured lighting, and one of the most innovative and impactful sets I’ve ever seen accompanied by brilliant acting. See it – to tell you any more about it would spoil the fun. You have to see it for yourself. – Ian McDonald

World Premiere
April 23 – June 8

Soho Rep

46 Walker Street
two blocks south of Canal Street
between Broadway and Church (map)
A/C/E, N/R/Q/W, or 6 train to Canal
1 to Franklin

Click HERE for more info.

Pieces, The Quest of the Hero & Allie’s Appendix Open at Planet Connections

Geffner WednesdayI am reading at the Inspired Word on Wednesday night at 7pm at Coffeed in Long Island City. Trying out some new pieces so I’d love for you to be there.

Planet Connections opens this month for 3 weeks. I am pretty psyched about the shows that are going up. Besides, Pieces, The Quest of the Hero! and Allie’s Appendix, there is John Patrick Bray’s Donkey, David Caudle’s Downward Facing Debbie and Siobhan O’Loughlin’s Natural Novice. Check out the listings at http://www.theatrebeyondbroadway.com for more info.

See you at the show!


This contest is still open until Wednesday.

Your name will be drawn from my cauldron if you tell me what show has a kick ass poster/logo/brand. You win two tickets to:

THE ANTHEM is a rollicking sci-fi musical about a revolt of the young against an evil state lovingly inspired by the classic novella “Anthem.” Hunger Games meets Ayn Rand in a world where individuality is illegal. Prometheus abandons everything to confront the State — controlled by the overlord of evil efficiency, Tiberius. With a forbidden copy of Ayn Rand’s ancient tome in hand, can Prometheus overthrow the system?

Leave a comment on the Theatre Beyond Broadway Facebook page or below.

 

Guest Blogger: Valerie Keane says 50% of Becoming a Better Artist Has Nothing To Do With Your Work

Valerie & I visit the Tenement Museum and eat meatballs
Valerie & I visit the Tenement Museum and eat meatballs

Valerie and I spend lots of time, creating art, supporting art, talking about art. We are both in agreement that the best part of being in this community is just being present. I tweet/update statuses about going to an event and feeling inspired and moved. It feels like fireworks.  About a month ago, Valerie and I attended an event. We were invited by our friend, Audrey Dimola. Truth be told, we actually had no idea what the event was about and what it was for – we just knew Audrey’s in it and we never been to the Latimer House in Flushing.  We got there and experienced the spoken word, poetry, food, company in awe and appreciation. Then I wrote a poem about it the next day. So when Valerie posted a status update about showing up, I told her to elaborate:

I’m being reminded a lot lately of the importance of showing up and listening to and/or seeing others’ art. And not the “showing up as an obligation to a friend” kind of showing up. But showing up and being fully present and grateful to be part of the community. When you show up like that, you ARE a part of the art community. Instantly. You don’t need to be the one up there reading or performing your work or the one whose painting is on the wall in order to be *part of it all*. As a matter of fact, if your prime objective is to put yourself on display, you’re really missing out on the juicy stuff that will make you a better artist. It will be evident in your work that you have not, from time to time, just gone to an event to LISTEN and to SEE and to EXPERIENCE. Not to mention, the subtle and insidious isolation that ensues when you only chose to show up when it can be about *you*. Take that suggestion from one who knows that all too well. If your work is meant to be out there, believe me, people will ask you to put it out there if you show up without expectation, without attachment, and without a furious insistence to be heard in an effort to validate yourself. The Universe has already validated your parking voucher, kids. If you have something to say, by all means say it. But remember that that is only HALF of your art. Don’t miss out on the other absolutely glorious 50%. Don’t half-ass your gift by letting your life choices be led by the siren’s call of the spotlight. Yin/Yang, yes? Action/Receptivity, yes? Show up just to listen sometimes. Have the courage to be an absolute nobody. You are already SOMEbody. And so, my dear, is everyone else. Go. Listen to them. They want to love you for just being you. Imagine that.

 

Valerie G. Keane is very honored to be part of the current Queens literary scene, regardless of how late to the party she actually was.  She owes her love and understanding of poetry completely to Dick Allen, Connecticut Poet Laureate.  Two of her poems will appear in the Spring/Summer 2014 issue of the Newtown Literary Journal.  She curates a Poetry & Coffee discussion group for writers and readers that meets in Queens to read great poems and speak wildly and passionately about why they contain all the secrets to life.  Valerie is very excited that it is the only literary group in Queens where you cannot read your own work.  When asked if she is a poet, Valerie says, “I still don’t know how you qualify as one.”  She is, however, currently unemployed – which probably means she is on her way to legitimacy.  You may reach her at valeriegkeane at gmail dot com.  Twitter: @valeriegkeane 

Josh Rivedal Returns with The Gospel According to Josh for an Off-Broadway Run

CaptureBack in August of 2013, Josh was awaiting the print version of his book, The Gospel According to Josh: A 28 Year Gentile Bar Mitzvah (based on his one man show). He asked me to join his team to promote the book. When I finally read it, I was so moved and was excited about seeing the performance. Tada! The show is returns with an all new script based on the book. So, I decided to reprint his interview today. If you are interested in joining my merry group of supporters for opening night, comment below and I will get in touch with you.

The Gospel According to Josh is back in NYC Off-Broadway. May 16-18. Fresh of of an international tour and with an all new script based on his book. Josh is a writer for The Huffington Post, an actor, author, and public speaker.

Malini: Josh, you know I love your book. I devoured it one night the way I devour a bowl of pasta. My readers know that I respect those who share their truth. It is difficult to do that. Who really wants to admit their shame or expose their vulnerability? And you’ve shared your truth and vulnerability in two forms: performance and the written word. What was the catalyst in writing the book version of the show?

Josh: Great question. I really wanted to make this story more accessible. In three years I’ve reached about ten thousand people with the show version. But I can only do so many performances in a week or month. With the book it’s low cost and able to be consumed at a pace that suits the audience member. It’s much more easily shared as well. You can hand someone a book but I can’t live in someone’s pocket and put on a performance at a minute’s notice.

The book is also loosely structured as a three act play. It has one more act than the one-man show version. During the final act, the book shows my own spiral into clinical depression and suicidal thoughts a few years after losing my father to suicide. Additionally it shows my recovery from depression and bouncing back from rock bottom. In society we are constantly presented with pictures of people who are struggling but rarely are we shown someone in recovery. I wanted people to see someone who is in recovery and living a well-adjusted and productive emotional and professional life.

Malini: One of my favorite parts in the book, without giving anything away, is the use of voices and dreams. I found that they really enhance the story. How did you come up with that concept?

Josh: Thank you and… damn, that’s a tough question!

First on the conceit to use of dreams. I was having dreams on a consistent basis about my father for over a year after he died. I could understand things he was saying and these dreams drove me, in part, to write my one-man play The Gospel According to Josh. However these dreams were freaking me the hell out and it contributed to my deteriorating mental state. I thought I was going crazy (not true) and didn’t talk about it for a few years. The dreams were also a way for me to say goodbye to my father, something I never got a chance to do.

The voices. I think it came to me one day early in the writing process. I was taking a shower and was trying to think of a way to break up the exposition and give insight to my inner thoughts. We all talk to ourselves throughout the day, sometimes aloud, and often when we think no one else is listening. It’s more normal than you think. My thoughts often sound a little ghetto fabulous. I also quote Bible verses at myself because of my Evangelical youth. And I swear a lot in Spanish in my head. In the context of the book, these three voices (religious, ghetto, Spanish) are my friends and enemies. They’re vulgar, compassionate, needling; and they break up and lighten what can be some serious subject matter. They’re probably the most risky part of the book (as a writer) but they’re my favorite part too.

Malini: You discuss your first performance in the book and you are still touring the show, which I think is great. What has shifted for you, if anything, as you continue to carry your message?

Josh: I think the thing that’s shifted is that this message, carried out with compassion and humor, is snowballing. People are embracing it all over the U.S. and Canada. It’s taken a few years but it’s happening. And I’m somewhat known as “the suicide prevention guy” which is interesting. Not something I ever thought I’d be known as when I got into show business ten years ago. But here we are and I’m totally cool with it.

Tickets for friends of Josh, HERE: http://ow.ly/vVY8Z 

About the show:
The Gospel According to Josh is a 30 character, 7 song one man show.

By the time Josh Rivedal turned twenty-five, he thought he’d have the perfect life—a few years singing on Broadway, his own television show, and his face on the cover of the National Enquirer as Bigfoot’s not-so-secret lover. Instead, his resume is filled with minor league theatre and an appearance on The Maury Povich Show—a career sidetracked by his father’s death and a messy lawsuit from his mother.

Tortured by his thoughts, he finds himself on the ledge of a fourth floor window, contemplating jumping out. In turn he must reach out to the only person who can help him before it’s too late.

The Gospel… is a true life tale of one young man’s passage into manhood—his twenty-eight year Gentile bar mitzvah.

More:
Proceeds will be donated to The American Foundation for Suicide Prevention. A panel discussion on suicide prevention and mental wellness will follow each of the four performances. Featured panelists will include industry leaders from The American Foundation for Suicide Prevention, Mental Health America, National Alliance on Mental Illness, and Men’s Health Network and more. Dates in May: Fri. 16 at 7pm, Sat. 17 at 2pm and 7pm, Sun. at 3pm.

The Left Out Festival Closes, Alan Semerdjian, Pieces Extended

imagesI had a moment today when I realized that I need to stop complicating everything. I always want everything to go off smoothly but if I am in my own way, I just slow everything down. Since the last week, which now includes a second loss, I am seeing just how important it is that we live our lives to the fullest. As a champion of dreams and goals, I encourage all of you, as well as myself, to set a goal for the next month and do one thing each day to make that goal a reality. You have 30 days…GO! I’m checking in to see where you all are in the process.


If you haven’t checked out The Left Out Festival, today is your last chance. Antonio and Shylock close out the festival and I am very excited to see it tonight. It’s a work in progress based on Shakespeare’s The Merchant of Venice by Dikran Tulaine, this exploration of hatred of the “other” explores anti-Jewish and anti-gay bigotry. Was Antonio gay? Hmm, I’ll love to dig deep. Also, fellow poet, and rocker, Alan Sermerdjian is performing this weekend at the Rockwood Music Hall. And if you’re in the mood for an oldie but a goody, check out my pal, Tom Hoefner’s You’re a Good Man. Charlie Brown. Tom wrote and directed, The Unlikely Adventure of Race McCloud, Private Eye which Black Henna produced a few years ago.

I am about to head into Planet Connections with three great shows: Pieces, The Quest of the Hero! and Allie’s Appendix. Check out the listings to the right and www.theatrebeyondbroadway.com for more info. Pieces has two more added dates so YAY!

See you at the show!



You have a follower the moment you put the anarchy sign in my path. So when I heard The Anthem was opening, my interest was piqued.

Your name will be drawn from my cauldron if you tell me what show has a kick ass poster/logo/brand. You win two tickets to:

THE ANTHEM is a rollicking sci-fi musical about a revolt of the young against an evil state lovingly inspired by the classic novella “Anthem.” Hunger Games meets Ayn Rand in a world where individuality is illegal. Prometheus abandons everything to confront the State — controlled by the overlord of evil efficiency, Tiberius. With a forbidden copy of Ayn Rand’s ancient tome in hand, can Prometheus overthrow the system?

Leave a comment on the Theatre Beyond Broadway Facebook page or  below.