TBB: Madame Infamy, A Revue for You: From Stage to Screen, Naked in Alaska

Thanks for sending me your show information. I am looking forward to this busy summer even though I am going on vacation soon. Please send me your info as I will not be updating the site the week of July 20th. Especially for those of you who are in the Fringe.

See you at the show!


Special Discount Offer for my TBB subscribers! 50% off tix. See below for more info.

OBAID KADWANI in association with EDMUND GAYNES
Presents
THEY CALL ME Q
a solo play written and performed by
QURRAT ANN KADWANI
“A winning tale!” – The Village Voice
“A theatrical experience to remember!” – Broadway World
“Rewarding on a life-size scale!” – StageBuddy
OFF BROADWAY at ST. LUKES THEATRE
308 WEST 46 ST, NYC
Mondays 7pm / Saturdays 2pm in July
SPECIAL OFFER!  50% OFF TIX!  
Tix for $35.50 with discount code  (Telecharge price $59.50+fees)
Discount Code: MQSpecial
Full reviews/trailer at: www.theycallmeQshow.com
FB, Instagram, Twitter @theycallmeQshow

First Fridays with Valerie G. Keane: You see that crack? That is how the light gets in.

173 (1)June was both a glorious and enormously rough month.

I have emerged from it feeling rather raw and tender and open.  And sometimes, perhaps this is a necessary and good place to be.

Life is really, really hard.  I don’t mean this in a pessimistic way.  It’s just really hard.  It never lets up.  I don’t think, while on this earthly plane, we are meant to ever really understand why awful things happen to very loving and wonderful people or why we suffer such devastating loss.  No one is exempt. But perhaps what we can understand is that the only thing we do have influence over is how we respond to what life hands us.  Once again, I see that it is not what happens to us but the story we craft about what happens to us that we should hold as holy, beautiful, and absolutely crucial.

We lost a friend, my beautiful circle of friends and I. He was the brightest light of any of us and I still cannot wrap my head around the fact that he is not physically here anymore.  You’ve been there; this has happened to you.  When it happens, I experience a moment where I feel my own life is suddenly jammed into perspective.  And then there are the odd days that follow, when we are left to collect our own struggles and our own pain that we left momentarily at the threshold of another’s tragedy.  But there is a new tenderness that we find in ourselves.  There are blessings that we are reminded to count that we, up until that moment, were too caught up in our own muck and mire to give thanks for. There are lessons hidden within the hideous, and gifts within the seemingly senseless, that are waiting to transform us but we either choose to open our eyes to them or we do not. It is a choice.

I’m thankful for the recent days of my own tears and melancholy and heaviness of heart.  It has burned its purifying fire in an intense, sharp, and expeditious way and left me exhausted, vulnerable, open, compassionate, and very, very tender.  I think this is how love finds its way into us.  I think, in this way, love also more easily finds its way back out to the people who have the courage to sit with us in those moments.

We have such hard shells.  We are told so often to be strong, to persevere.  I don’t think this serves us very well.  And I think true strength is being able to go fully into your pain and allow it to soften you, peel back your layers, to transmogrify your callouses, clear your slate, and be a more intimate and loving human being.

If we can understand that, if we understand nothing else, if we can truly grasp that that is our story, then perhaps we can sit with each other more often and offer up the most heart-breaking pieces of ourselves and open up that sacred space for love and joy to enter.

I am healed by your tears and my own. Come sit with me.

Valerie G. Keane is very honored to be part of the current Queens literary scene.  Her work was recently published in the Spring/Summer 2014 issue of the Newtown Literary Journal and she is the founder of Poetry & Coffee, a very juicy discussion group in Queens for writers and readers, where the only rule is that you cannot read your own work. When asked if she is a poet, Valerie says, “I still don’t know how you qualify as one and no one seems to know where the application form is.”  

Q Told My Story (Update)

10429245_10152783038412092_4622897408695920207_nIt’s not too often that I hear about a show, plan to see it, the opportunity passes and then the opportunity reappears. Last summer, They Call Me Q was on my list but I just couldn’t make it with all the shows on my summer tour. When I saw that Q (Qurrat Ann Kadwani) was doing an Off-Broadway run, I knew I was going to make it happen. And I did and Theatre Beyond Broadway became a sponsor. All very fast and very exciting.

Why this show? Well, there isn’t a one woman show written by and starring an Indian actress from the Bronx who talks like a New Yorker. This is something I can relate to as I am an Indian actress from Manhattan who talks like a New Yorker. There aren’t that many of us from our generation (born mid-70s – early 80s) who talk about being the only little Indian girl in our neighborhood.

Q flawlessly transitions through 13 characters (her homegirls, her friends in India, her parents, her caucasian teachers and more) to tell the story of her upbringing in this urban jungle while trying to maintain her Indian heritage. As she transforms, one sees that the true experiences of her past either enhanced or affected her. Q tells her story on a simple set using a few costume pieces to differentiate the characters. The performance is subtly  highlighted by sound and lighting which enhances her storytelling. Under the co-direction of her brother, Obaid Kadwani and Claudia Gaspar, Q is pushed to integrate all aspects of her life in this one woman show.

So what I’ll say is the same thing I said when I started my interview with Q on Salon Radio:

1. If you are in New York City, go see this show.

2. If you are a New Yorker, go see this show.

3. If you are a New Yorker of Indian descent (Southeast Asian, Trinidadian, Guyanese, St. Vincent, etc.), go see this show.

And guess what? Q has three shows left.


TBB subscribers! Get 50% off tickets by using Discount Code: MQSpecial

.

OBAID KADWANI in association with EDMUND GAYNES
Presents

They Call me Q, written and performed by Qurrat Ann Kadwani

FINAL SHOWS!!

11/23 @ 2pm

11/30 @ 2pm

12/7 @ 2pm

St. Luke‘s Theatre, 308 West 46th Street (just west of Eighth Ave.)

For more information, visit www.theycallmeQshow.com.

Tix for $35.50 with discount code  (Telecharge price $59.50+fees)
Discount Code: MQSpecial
Full reviews/trailer at: www.theycallmeQshow.com
FB, Instagram, Twitter @theycallmeQshow

 

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TBB: Madame Infamy, They Call Me Q & All Systems Go: Mission 2

Shifting my schedule and my format  a little bit to post your shows on TBB. Since there are many festivals and show happening this summer, I set up this form for you to fill out and send to me with your show info. Please do invite me to your event as well so I can share it on the TBB page.  

Thanks and see you at the show!

Clichés & Content: Why Should I See Your Show?

I came across this website about avoiding clichés when writing and though I would agree, sometimes a cliché is all one can absorb.avoiding_cliches-e1352910774733

Summer is my favorite time of year. It’s a mix of relaxation and theatre crazy. Festival season is up and running and the shows seem to be on overdrive. Writing content for press releases is truly an art form because you have to make it pop in the sea of hundreds of shows. HUNDREDS!

Why should I go see your show? Tell me why I should give up a night to accept an invitation of many invitations? It’s a legitimate question. This is where you have to think outside the box. Though I go on and on about the necessity to create art, it is also important to get the word out about your show.

So where do the clichés come in for me? Well, I have been fortunate to have a full schedule with many different types of projects. Sometimes at the end of the day, all I can muster is “Laughter is the best medicine”, “The early bird catches the worm”, “You can’t please everyone”, “Just do it” and my favorite “This too shall pass”.

Happy Wednesday! What are you working on and what’s your favorite cliche?

TBB: Festival Season, Madame Infamy, They Call Me Q, Woman at the Funerals

FestivalWe are truly in the middle of New York City’s Festival season. There’s the Fringe Festival (FringeNYC), New York Musical Theatre Festival (NYMF), The Strawberry Festival, The Brick Comic Book Theatre Festival, The West Village Musical Theatre Festival (WVMTF) and so much more. It’s hard to know which shows to see in which festival in addition to the myriad of shows that have runs over the summer. I have to sit with the months of July and August to balance it out. Luckily, since I do PR and have many friends in the shows, I can narrow them down. However, I do like to see a show in which I’m not connected.

So I’ll start off by saying that I will be seeing Pageant Princess on Friday night and They Call Me Q on Monday (see below for more info on a half off tickets for that performance).
Madame infamy is my NYMF show which, if you haven’t heard yet, I’m over the moon about it. It’s already been lauded as the show to see by the NYTimes this summer. You should definitely check it out.
The Pawn Broker is my FringeNYC show, which is an awesome one woman show about the women of Bertolt Brecht. More info on that to come.
Visit www.theatrebeyondbroadway.com for more info on upcoming shows.
And see you at the show!

They Call Me Q is offering a 50% ticket for the 6/30 show to my subscribers. The more the merrier. Join me and click HERE for more info.
I just joined The Write Teacher(s) as their contributing writer on Beyond Broadway. Click HERE to read my debut article on The Josephine Foundation.

Friendship: Cas, What is Happening Right Now?

61302_435788954421_135800_nOne of my last conversations with my dear friend friend, Cas, included the phrase “you’re the asshat with cancer”. It’s not important what the context was but just the fact that I could say that to him. We both nodded and and then busted out laughing. Well, I had a good belly laugh. He did his raspy/silent laugh and trying not to feel pain. Two days later we had brunch at the diner. After hugs and kisses goodbye, we had this text exchange:

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Cas and I laughed, gossiped like no one’s business, read each other’s beads (hands in the air and neck rolls), cried together and sometimes sat in the dark in silence. I was spoiled. We lived down the road from each other before he moved to midtown for a spell (near my job). Then he moved back to “Town “, his affectionate nickname for Forest Hills.  Cas was just always near. We could sometimes go for weeks or months without physical contact because of our many ongoing projects. But we knew that we were good. The check in text was our big thing and we tried our best to see each other’s shows. The best times were when we were collaborating together.
Cas was a passionate artist. A brilliant mix of actor and diva. He could turn it on for an audience without effort and then yell at us all backstage for moving his eyeliner a millimeter to the right of his wig. Then he would find it and tell us how much he loved us and then bake us monkey bread or something crazy for the next performance. That was Cas. It was a consummate love fest.
I met Cas in 2002. Ian and I went to see a show in Middle Village called Some Enchanted Evening (Beari Productions). We had just learned that there was theatre in Queens, after years of working in the city. We were so happy to have theatre near home. We were excited to see new work. So, we are enjoying the show when this talented creature belts out “Brush Up Your Shakespeare” from Kiss Me Kate. A huge Cole Porter fan, I fell in love. I turned to Ian and said, “Who is that guy.”  After the show, we waited for him. We had to tell him how much we enjoyed his work. It began there.
In 2004, Cas and I finally got to share a stage together in South Pacific. He was Billis to my Bloody Mary. That was a fun show where many friendships began. Ours shifted as we talked theatre and dreams. And Torch Song Trilogy. Cas always told me that I needed to direct and produce it. We’d work on other shows. There were barbecues in his backyard. There were road trips to see our friends’ shows. There wasn’t an instance of him not mentioning Torch Song Trilogy.
Finally in 2008, I had enough. We were hanging out in his house and he brought up the show again. I said to him, “Fine, let’s just read the third act”.  We did and I was moved. We then proceeded to order Japanese and read the first two acts. We laughed, we cried, we yelled. It was magic. At the end of the night, I said to him, “Let’s do this. I’ll direct you and we’ll do it under Black Henna Productions.”
That began a 5 year collaboration on the many shows that Black Henna produced. That collaboration, infused with our big dreams, led to many wonderful opportunities. We met with Broadway producers, went to the Tony’s, supported many fundraisers, and met many other independent artists with same dreams. Our dreams were also coming true.
Cas pushed me as I pushed him. I feel incredibly blessed to have had him in my life. My career would not be where it is now without him as my one of cornerstones. My relationships wouldn’t be what they are without his nuggets of advice. My faith wouldn’t be as strong if I didn’t see the strength in him.
I did ask his advice before he left us. I asked him if I should take a specific risk. Cas said, “You set these two goals for this year and they are moving along. See them through. Do the risk next year.”
Cazzie, I will. I promise.

Amazing Theatre Cities – Roadtrip?

CaptureI just came across this article as I was cleaning my inbox: 17 Amazing Theater Cities That Aren’t London or New York and I want to go to all of them the exception of Chicago. I went to the Chicago Fringe last year when my friend, Valerie Hager, performed her one woman show, Naked in Alaska (see below). I have also been trying to see more shows outside of the 5 boroughs but sometimes it’s difficult to get to The Bronx and Staten Island. And let me tell you, I really want to be everywhere at all times but alas I can’t. This article reminds me that 1. I need to add it to my bucket list 2. I need to travel outside of North and South America and 3. that I need to specifically go to London and Edinburgh.

 

 

 

 

 

 

TBB: Woman at the Funerals, A Midsummer Night’s Dream, 12 Angry Men

After a long week of celebrating the life of my dear friend, I am reminded of how art heals. What a beautiful outlet! To be able to sing, sit in a theatre, dance at a gala and reminisce of the many projects of yesteryear, that’s just an amazing gift. I will write a separate post and tribute at a later date to Cas. in the meantime, there are some great shows happening right now before we head into the summer festival season. Out in Queens, Theatre Time is doing 12 Angry Men which I LOVE.  Women at the Funerals is going strong. And yes, this is a shameless plug for my husband, Ian McDonald, who will be starring as Oberon/Theseus in A Midsummer Night’s Dream which opens this Friday. I will be there with a bag of fairy dust at Central Park.

Tell me what you’re doing!

See you at the show!

Guest Blogger: Melissa Robinette Talks Acting & Doing

f078aa_7c0beedc29e84c058e46a8e0ae061cc8I meet a lot of interesting people. I meet a lot of interesting people in unique situations. Melissa Robinette is one of my favorite interesting people I have met in a unique situation. Last fall, our mutual friend, Doug Shapiro (Savvy Actor & Fearless Mensch) needed a few people for his class at Pace University. This particular session was on networking by being your own Community Ambassador. The idea is “how to enrich your support system in group situations and facilitate excellent introductions”. What fun! Melissa and I hit it off as we are both very passionate about being artistic entrepreneurs. And she has chickens. Here’s how she balances her life as an artist and business woman.

Being an actor is hard work. Being an actor, small business owner, running a small farm and Vice President of Actors Equity Association is easy. It doesn’t matter if it’s a union meeting, teaching, working on my craft, tending my farm, or attending an audition. Every day is different and full of wonderful opportunities. There is something to be said about having many things in life to focus on. When you are only focused on one thing, that can end up toxic. Many years ago I was “just” an actor. I remember sitting in my living room hitting the refresh button over and over and over waiting for the newest job posting. I was miserable. Recognizing this I signed up for a dance program. Rather than sit around, hitting the refresh button and feeling crappy about my dance skills I chose to DO something about it. From there I got bit by a bug that made me a do-er. I started signing up for a ton of committees at the union, focused on opening a marco business called The Biz of Show with Melissa Robinette, got into physical fitness and immediately my life was more fulfilling and the acting work rolled in more and more. My eyes were opened and I was hungry for anything that kept my brain and body working. With each of these new things in my life I no longer felt blue, desperate or discouraged. I was out of my head and using my energy towards something useful. Currently I don’t have much of a social life, but I am loving every moment of life. I no longer have trouble sleeping because at the end of the day I’m tired from doing things other than hitting the refresh button. Being a do-er and a part of something other than your career is vital. And leads to great success and happiness.

MelRob was born into the circus and spent her early years traveling on the road.  Immediately after high school she left her small town in northern San Diego and sailed around the world performing on cruise ships.  In 2002 MelRob came to New York City, booked her first audition and never looked back.

Currently Melissa lives on an organic farm in Astoria, Queens, New York with her husband, a rescue pitbull named Ruby and 6 chickens.  She started her own macro-business called The Biz of Show with Melissa Robinette.

Melissa is currently the Eastern Regional Vice President of Actors Equity Association.