Downtown Urban Arts Festival Features Dean Preston & Canned Laughter

CapturePlaywright’s Name:  Dean Preston

Tell us about your latest project: 

Canned Laughter is a modern American play that uses classic conventions of ‘three men sitting and talking about God, Race and Religion and turns them on it’s head.

What excites you about being a part of the Downtown Urban Arts Festival?

I’ve known about the festival for a long time and I’ve wanted to find the right piece to be a part of it. I think I have!

What’s your upcoming project after the Festival?

Probably taking a brief hiatus from theatre to focus on other writing, but I’m excited for the projects I have on the horizon

Website: https://deanprestonportfolio.wordpress.com/

SHOW INFO:

Wednesday, March 30 at 7pm

HERE (145 Sixth Avenue – enter on Dominick Street)
Tickets are $18 at www.here.org or by calling 212-352-3101

 

Downtown Urban Arts Festival Features Afrika Brown & Strange Fruit Redux

Afrika Brown  Head Shot 2
Playwright’s Name: 
Afrika Brown

Tell us about your latest project: 

Strange Fruit Redux is a series of poem monologues mixedSTRANGE FRUIT REDUX Poster Art 2 with music and sio-political, pop culture sound bites geared to show the fears and frustrations of the modern day black man.   It was written in 2015 as a cry for change and the opportunity to create honest discourse about the epidemic of police shootings of unarmed black men as well as blacks dying in police custody.   It is my hope that the audience walks away from the experience willing to have dialogs that can lead to solutions and positive change.

What excites you about being a part of the Downtown Urban Arts Festival?

Downtown Urban Arts Festival is an extremely well-known festival.  I am more than excited; I am honored to show my work at DUAF and have the opportunity to work with such a great group of theater professionals.  I am also beyond excited to have Strange Fruit Redux play at HERE Arts Center.

What’s your upcoming project after the Festival?

After the festival my next project is bringing my new play Slow Bullet, My Three Loves to Manhattan Repertory Theatre, located on 42nd St., for a three-night date in May.  Also, I plan to continue to bring Strange Fruit Redux to different cities nationwide.

Website: http://famenycmagazine.com/

Instagram: @thelovelymsafrikabrown

Twitter: @FAMENYCMAG

SHOW INFO:

Tuesday, March 29 at 7pm

HERE (145 Sixth Avenue – enter on Dominick Street)
Tickets are $18 at www.here.org or by calling 212-352-3101

Downtown Urban Arts Festival Features Clyve Lagerquist & In the Library

CapturePlaywright’s Name: Clyve Lagerquist

Tell us about your latest project: 

A short but intense play, In the Library is a claustrophobic meditation on suspense and suspicion in the wake of tragedy and personal fear in the anonymity of mass shootings.

What excites you about being a part of the Downtown Urban Arts Festival?

I’m ecstatic to be involved in the prescience, vitality, and importance of live theater. Being involved in DUAF is a dream of a stepping stone in a playwright’s career.

What’s your upcoming project after the Festival?

I’m working on a full length play as well as several film scripts and the pilot for a tv series I’ve wanted to do for a long time.

Website: 

Tremr.com/clyvelagerquist

Facebook:

Facebook.com/Clyve8

Twitter: @ClyveLagerquist

SHOW INFO

Friday, March 25 at 7pm

HERE (145 Sixth Avenue – enter on Dominick Street)

Tickets are $18 at www.here.org or by calling 212-352-3101

Downtown Urban Arts Festival

CaptureI just recently learned about this Festival which a bit shocking. Only because it has been in existence since 2001 and it completely slipped pass me. Quell damage! Anyway, I know about it now and if you didn’t know about it, you are so welcome.

The crux of their mission is an “wavering commitment to promote diversity in the arts by showcasing urban expression”.  The festival runs to April 10th and covers artists expressing through theatre, film and poetry.

Visit www.dutfnyc.com for more info and follow me on Twitter @malinism and on Theatre Beyond Broadway Facebook Page to learn more about the artists.


CREATIVE AMMO, INC.
PRESENTS THE

 2016 DOWNTOWN URBAN ARTS FESTIVAL

FEATURING THEATER, SOLO WORKS & FILM
MARCH 4 – APRIL 9
Now in its 14th year, the Downtown Urban Arts Festival (DUTF) is becoming New York’s premiere winter/spring theatre event showcasing independent theatre artists. The month-long festival, produced by Creative Ammo, Inc., provides writers and performance artists from America’s burgeoning multicultural landscape the opportunity to share their stories that interpret our history and our times.

The 2016 Downtown Urban Arts Festival will run March 4-April 2 with performances at Joe’s Pub (425 Lafayette Street), Nuyorican Poets Café (236 East 3rd Street), HERE (145 Sixth Avenue – enter on Dominick Street), and the Tribeca Film Center (375 Greenwich Street). Tickets ($10-$30) may be purchased in advance at http://www.dutfnyc.com.

MUSIC
All shows are at Joe’s Pub (425 Lafayette Street)
Tickets are $30 at http://www.dutfnyc.com or by calling 212-967-7555

Friday, March 4 at 7:30pm
Corey Glover & Friends
Two-time Grammy Award lead singer of the legendary band Living Colour Corey Glover performs a special one-night only intimate concert with friends Dennis Diamond, who co-wrote the powerful anthem Silence with Glover from his first solo album Hymns, and others.

SOLO SHOWS
All shows are at Joe’s Pub (425 Lafayette Street)
Tickets are $20 at http://www.dutfnyc.com or by calling 212-967-7555

Tuesday, March 8 at 7:30pm
The Bronx Queen by Joe Gulla
Anchors aweigh! Playwright/Actor Joe Gulla (bait and!) tackles the issue of growing up as a gay Italian boy… in the Bronx! Smart, fun, funny and poignant, The Bronx Queen reveals why some people are destined to be nervous (ship)wrecks… while others cling to the greatest life preserver of all: Art! (Dramamine not included!)

Tuesday, March 15 at 7:30pm
Love, Locs, & Liberation by Ella Turenne
Blending poetry, song and humor, Ella Turenne unlocks “hairstories” experienced by Black women. Through 21 different characters, she exposes the hair connection to politics and culture. Love, Locs & Liberation weaves together stories of struggles with issues of identity and beauty using rituals Black women hold sacred and Ella’s experience as an American woman with strong ties to her Haitian culture.

POETRY
All shows are at Nuyorican Poets Café (236 East 3rd Street)
Tickets are $12 at http://www.nuyorican.org

Saturday, March 19 @ 7pm
Words Matter Poetry Slam
#FlintWaterCrisis, #RoevWade, #RefugeesWelcome, #BlackLivesMatter … a poetry slam for writers to share what matters to them (in a poetic way) with a $200 prize for best poem. Special guests include Nuyorican founder Miguel Algarin, two-time Tony nominee Reg E. Gaines and others.

THEATER
All shows are at HERE (145 Sixth Avenue – enter on Dominick Street)
Tickets are $18 at http://www.here.org or by calling 212-352-3101

Tuesday, March 22 at 7pm
Homo Americanus by Paul Cosma-Cimpoieru
Using music and dance, Paul Cosma-Cimpoieru fervently explores a Romanian immigrant’s experiences in the Big Apple. From the subways, bodegas, tourists, Uptown, Downtown, he reveals through this interpretive dance work what it feels like to wake up in the city that never sleeps and strive to be a part of it.

Twist & A Bridge by Jennifer Cendana Armas
Twists & A Bridge weaves theatre, song, and poetry in English, Tagalog, and Spanish to tell the story of immigration and family.

Wednesday, March 23 at 7pm
Recess by Una Aya Osato
Focusing on a group of 7-year-olds, this multi-media, nonlinear play takes audiences’ on a field trip into the hearts and minds of children navigating their way through life and the NYC public school system.

Thursday, March 24 at 7pm
Cost of Exposure by Mel Nieves
“I’m feeling that this is a complete and utter violation of the most intimate part of my life, MY LIFE! This is nothing less than a RAPE!” – Cynthia Vargas to her husband Hector. What price are you willing to pay and what are you willing to lose for writing what you know? What is the cost of exposure?

trash by Alyssa Krompier & Justice Hehir
When two young women are stationed to pick up trash for court-mandated community service, they find common ground as they sift through things left behind, discarded, or misplaced.

Friday, March 25 at 7pm
No Cowards In Our Band by Anthony B. Knight, Jr.
Set against the backdrop of post-Reconstruction America, self-emancipated slave-turned- statesman Frederick Douglass uses the healing balm of the Negro spiritual as the framework within which he reflects on his life and the social, economic and political ramifications of slavery and the Civil War.

Saturday, March 26 at 7pm
Radical by Nelson Diaz-Marcano
It is September 11, 1973 in Santiago, Chile and the government has been brutally overtaken by the military. In the midst, three strangers battle it out in a basement while chaos and paranoia drown a dying promise. Radical shows what happens to people who are left with nothing but hope.

In the Library by Clyve Lagerquist
In the Library is a meditation on suspicion, guilt, intent and the roles adopted in the midst of a tragedy.

Tuesday, March 29 at 7pm
Strange Fruit Redux by Afrika Brown
No one truly knows what the day holds as they prepare to step out their front door. Burgeoning Bed-Stuy artist Nathan Strange is poised to be the latest phenomenon of the NYC art scene, but a common trend plaguing our society may prevent him from doing that.

Stop and Frisk by Matthew Widman
Two young men are stopped and frisked by two undercover cops as they walk across an urban park.

Wednesday, March 30 at 7pm
Canned Laughter by Dean Preston
“Ever since his children’s television show ended, Milligan has remained a shut in. But when Howard, a TV producer from his past, arrives at his door determined to make a revival of the show, old tensions arise and the seams that bound their once strong friendship unravel all over again.”

Thursday, Marc 31 at 7pm
Flip-in by John Foster
What happens when down south, back woods, magic hits a young NYC couple? In this urban Hip-Hop comedy lovers caught in a spell must take on the themes of love, sex, and, “what it is like for a woman to live in a world designed specifically for men.”

Dine & Dash by Anghus Houvouras
Some dates are a disaster. Others are murder. Two lost souls meet for a blind date with wildly different agendas: She wants to get inside his head. He wants to get up her skirt. Unfortunately, only one of them will walk away from this encounter alive.

Friday, April 1 at 7pm
Rags To Bitches by Tommy Jamerson
“Lock down those lashes and lace-fronts, ladies, because a battle of wits and wigs is about to ensue. When two Queens accuse each other of sabotage, shade will be thrown, T spilled, and acrylics sharpened; all culminating in an epic dance-off guaranteed to go down in drag “herstory.”

One Size Fits All by Irene Hernandez
In One Size Fits All, watch four women get undressed and confide their deepest secrets… while shopping and trying on clothes in a fitting room at a department store. Each woman, of various shapes and sizes, shares her frustration with body shaming, insecurity and finding the right outfit with humor and brutal honesty.

Saturday, April 2 at 7pm
Ferry Limbo by Chip Bolcik
The story of John Duvall, a man who thinks he is on his way to work, but who meets Larry, a man who can’t remember anything about himself until he tells John that John has died.

When the Bell Rings You Shut the F*ck Up by Jim Bulluck
An unhappy couple has an unusual encounter during a therapy session.

FILM
April 7, 8 & 9 @ Tribeca Film Center (375 Greenwich Street)
Tickets are $10
Details TBA!

DOWNTOWN URBAN ARTS FESTIVAL In 2001, DUTF was founded with the purpose to build a repertoire of new American theatre that echoes the true spirit of urban life and speaks to a whole new generation whose lives defy categorizing along conventional lines. That purpose has been realized many times over, as more than 100 writers have created and refined their work for the stage and thousands of inspired audience members have applauded their performances. DUTF inaugurated the festival in 2002 at HERE in SoHo to help revitalize the NYC downtown arts scene, which, at the time, was experiencing a severe downturn due to the WTC disaster. It has been recognized as “one of the world’s best festivals for new works” and described as “not only prestigious, but a slice of heaven for playwrights who want the chance to freely express themselves.” (Lisa Mulcahy, Theater Festivals, Allworth Press, 2005)

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council and New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature.

DUTF is part of SubletSeries@HERE: Co-op, HERE’s curated rental program, which provides artists with subsidized space and equipment, as well as technical support.

Downtown Urban Arts Festival Features Joe Gulla & The Bronx Queen

 

Joe Gulla, The Bronx Queen 1
Photo by Nicolaas Smit

 

Playwright’s Name: Joe Gulla

 

Tell us about your latest project: 
“The Bronx Queen” is the first chapter of my “Bronx Queen Trilogy”! It is the story of my young life as a gay boy growing up in an Italian working-class section of the Bronx. The title is not as simple as it may appear. Certainly, I AM a “Bronx Queen”. Ha! But, “The Bronx Queen” was also the name of a fishing charter boat that my Dad took me on as a youth. Ironically, he was taking me fishing on that boat to sorta “butch me up’! Put it this way, “branding” was not a hot concept in the 70’s!

What excites you about being a part of the Downtown Urban Arts Festival?
As soon as I heard about this festival, I knew “The Bronx Queen” would be a perfect fit. My show touches on my obsession with legendary graffiti artist, Jean Michel Basquiat and, obviously, it is set in The Bronx. I don’t think you can get more “Downtown” and “Urban” than that! Oh… and I am a Native New Yorker. It’s been a dream of mine to perform at Joe’s Pub! Look at what this “simple Bronx boy with a dream” gets to do! “Excited” doesn’t even come close!

What’s your upcoming project after the Festival?
A week after my performance at Joe”s Pub, I fly to Colorado Springs, CO for the opening of a play I wrote called, “Gayfever”. It is about a man who finds out he is allergic to gay people! Ha! Break out the Benadryl!

Website: http://www.joegulla.com
Facebook Page: https://www.facebook.com/TheBronxQueen/?fref=ts
Twitter: @joegulla

SHOW INFO

Directed by Brian Rardin

Tuesday, March 8 at 7:30pm
Joe’s Pub (425 Lafayette Street)
Tickets are $20 at http://www.dutfnyc.com or by calling 212-967-7555


CREATIVE AMMO, INC.
PRESENTS THE
2016 DOWNTOWN
URBAN ARTS FESTIVAL

FEATURING THEATER, SOLO WORKS & FILM
MARCH 4 – APRIL 9

Now in its 14th year, the Downtown Urban Arts Festival (DUTF) is becoming New York’s premiere winter/spring theatre event showcasing independent theatre artists. The month-long festival, produced by Creative Ammo, Inc., provides writers and performance artists from America’s burgeoning multicultural landscape the opportunity to share their stories that interpret our history and our times.

The 2016 Downtown Urban Arts Festival will run March 4-April 2 with performances at Joe’s Pub (425 Lafayette Street), Nuyorican Poets Café (236 East 3rd Street), HERE (145 Sixth Avenue – enter on Dominick Street), and the Tribeca Film Center (375 Greenwich Street). Tickets ($10-$30) may be purchased in advance at http://www.dutfnyc.com.

Review: Cat on a Hot Tin Roof by Tennessee Williams

CaptureThe lights come up on an inviting bed/sitting room with French doors opening out to a view of a magnificent plantation. This sets the tone for those familiar with a Tennessee Williams play.  You are invited to observe the web of secrets, deception, and shame and they begin with the opening lines between Maggie and Brick. The performance of this play hinges on a Maggie who entices the audience with her sensuality and a Brick who commits to his lengthy silences; a Big Daddy who is foreboding and unforgiving in his machismo and a Big Mama who is manipulative in her damedom; and a Gooper and Mae who have their own story supported by children who add to the chaos. The other characters are either managing the chaos or unintentionally adding to it.

Under the flawless direction of Kevin Schwab, the Parkside Players produced this wordy and layered play to great success. Mendacity is reflected in the subtle glances, closing and opening of the doors, and the story told between pauses and proximity between the actors. Cat on a Hot Tin Roof is one of Tennessee William’s best known plays. This strong ensemble cast unabashedly convey all aspects of dying, alcoholism, deceit, love, and sex. The winner takes it all but who is the winner?

 

 

Parkside Players
Grace Lutheran Church
103-15 Union Turnpike, Forest Hills, NY 11375

Performances
Fridays, February 26 & March 4 @ 8:00 PM
Saturdays, February 20, 27 & March 5 @ 8:00 PM
Sundays, Februaryr 21 & 28 @ 2:00 PM

Visit www.parksideplayers.com for more info.

Patrice Miller is in the Limelight

Name: Patrice Miller

What’s your current project: Poetry Electric’s Mother Tongue at La MaMa

Why and how are you involved? La MaMa has always opened its doors to me and invited me to challenge myself as an audience member and artist. I’m overjoyed to be a featured poet/performer at Poetry Electric.

Facebook/Twitter Handle:

11996912_908327599242477_5525135667523934354_n
(that’s me at the Inspired Word back in September – the gestures and faithful binder return Nov 9th!)

NYNW Theatre Festival: Meet Joe Minchik & With This Ring

Since announcing the debut of his first one-act play, “With This Ring” Joe Minchik has overwhelmingly been asked one question: “Does this mean you are FINALLY proposing to your girlfriend?!” Minchik can’t refute the uncanny resemblance he shares with the play’s main character, Josh Kavanagh, (played by Minchik), a New York City dwelling 29-year old, who after five years of dating his girlfriend, Harper Boston (played by Sarah Burkhalter), attempts to pop the question.

Where is your hometown? Westminster, MD

What was the last show that you worked on and where? I’ve been acting and improvising in NYC since 2008. “With This Ring” is the first play I’ve written.

Why submit to a festival like this? I submitted to the NYNW festival to have a unique opportunity at developing a new piece of writing and the chance to network with industry professionals.

PERFORMANCE: August 25th at 7:00 PM

LOCATION: The Times Square Arts Center, 300 W 43rd Street, New York, NY 10036.

TICKETS: Click HERE to purchase tickets.

The NYNW Theatre Festival is located in the world’s premier theater district at The Elektra Theatre in the Times Square Arts Center, and is a short play competition where the audience casts their votes to select the best play of the season.

Playwrights from all over the country will present their shows and have the chance to move from the First Round to the Semi-Finals, and then the Finals, where a winner will be selected.

The First Round of the NYNW Festival shows will be presented August 17th, 18th, 19th, 20th, 24th, 25th, 26th, 27th. The Semi-Final rounds will be August 31st and September 1st, 2nd, and 3rd. The Finals will be held September 16th.

http://www.nynwtheatrefestival.com/

Meet the Ushers (Part 2): Two Viewpoints on Attending the Theatre

Yesterday was about the experience of going to the theatre. Today we’ll meet two characters, Queen Gwendolyn and Rona Do Ya Wanna, who have very clear viewpoints on being a patron. Meet them and 9 others in Jessica Elkin’s Rise of the Usher.

 

photo (13)Queen Gwendolyn on her preparation for going to the theater.

Frankly, before I prepare myself to even enter a theater, I make sure that I am dressed properly. To me the theater is a sacred place and I rise to the occasion by wearing my pearls, mink stole, gloves, and a veiled hat. A visit to the performing arts library is also a necessity as part of my preparation if the show happens to be a revival. Every review, book, and film that I can get a hold of before I see the show has been carefully viewed in order for me to have some feeling of competency for what I am preparing myself to see. When I go to the theater I need at least a month of preparation for such endeavors, now if someone wants to provide me with comps, then I may make an exception.

 

photo (12)

Rona Do Ya Wanna  on going to the theater.

Well, some of my questions for going to the theater are:

  1. Who’s paying?
  2. Are drinks included?
  3. What about dinner and desert?
  4. And the most important thing is: are there any hot men in the show? Any nudity?

If all or at least a few of these elements are included then I’m game.


Come see what one usher will do to rise to the top of an ant hill.

July 14th – July 26th

Davenport Theatre, Black Box at 354 West 45th Street

Click HERE for more info.

Meet the Ushers (Part 1)

photo (14)In light of the latest Patti Lupone‘s stand against blatant use of cell phones in the theatre, I thought about my own experiences in the theatre. Now it is absolutely true that my upcoming project, Rise of the Usher written and performed by Jessica Elkin, is about the theatre experience. I have had many wonderful and awful experiences.

I’ll start with one of the worst. I purchased seats for a weekday matinee performance of a play on Broadway. The leads were A-List actors and I was super excited to see the play with my friend. Throughout the entire performance, audience members were whispering, eating, and texting throughout the performance. The ushers did NOTHING. I was just in shock because how often does one get to see this caliber of actors on stage. And the closing monologues was breathtaking!

My best experience is whenever an unruly patron is asked to leave. I have seen that a few times and the ushers have never been rude about it. Just “you gotta go”.

Here are the experiences of the producer and director of Rise of the Usher:

Danielle Gautier, General Manager:

My best usher experience was actually at a Brooklyn Nets basketball game this past April. My 84-year old grandmother was standing up for the t-shirt toss that the Nets dance team does at each game. None of the t-shirts were tossed her way and one of the ushers nearby spotted the slight disappointment on her face about this. He went out of his way to find a Nets employee, who could grab a t-shirt for my grandmother and then handed the t-shirt to her. The smile on her face was priceless and he really made her game experience extra special by doing that.

My worst usher experience was at a Broadway show a few years ago as an audience member. There were many other audience members texting, talking, eating loudly and doing other distracting things during the performance. I had never seen such rude behavior. What was worse is that the ushers did nothing to silence anyone or anything. They just sat back and watched the show. It had to be distracting to the performers on-stage if it was that distracting me even as an audience member.
Mary Catherine Donnelly, Director:

My best experience with an usher was after I had waited out in the bitter cold to see the last performance of Waiting for Godot with Ian McKellan and Patrick Stewart on March 29, 2014. I froze my *ss off waiting on line for hours, getting up at 3am for tickets since I never knew when I’d be able to see Ian McKellan onstage again.

Finally…after  hours of clock watching, holding places for other hopefuls’ coffee and  bathroom breaks and waiting for the sun to come up for some warmth, I  arrive to the box office with cash for me and my friend Ana who was at home with her kids in Jersey so she couldn’t wait with me this time. I make the cut off! I get TWO tickets!

I return to the theatre for the performance after napping and showering, meet Ana outside The Cort and soon a very handsome carmel skinned usher with big brown eyes in his 20’s takes Ana and I up to our seats….which turn out to be way up in the boxes. I thought “well that can’t be so bad it’s a balcony!” But it was bad. It was an obstructed view. I asked him if there were any other seats. He apologized and said that the show was sold out.

We had to lean over very far, practically on top of each other and did not see the scenes performed under this “overhang” (!).I froze for HOURS to have Ian McKellan performing underneath my butt! I don’t think so.

My strategy was to snag the 2 empty seats in the 2nd row that I spotted during the bits I couldn’t see. They were center on the aisle… Ana and I made a beeline at intermission to snag those seats.

We no sooner go to sit than the patron in the 3rd seat from the aisle  who would be next to us said we “couldn’t sit there because they weren’t  our seats.” I told her about our balcony bust and asked her if they were her seats because they had been empty during Act 1. She said “No, but you can’t sit here because they are not your seats.” I said “but if they’re not your seats why can’t we sit here?” She said again “you cannot sit here because they are not your seats.”

Now I had to have those seats. Her killjoy factor alone made me want to pimp out my friend Ana with her even post baby model body to seduce the hot usher who took us up to the box seats who was now in the orchestra seating people. But I decided to tell him the truth: “these 2 seats were empty during intermission and we can’t see a thing up there. So when we tired to sit in these seats this lady in the 3rd seat said “we couldn’t sit there because they were not our seats. Would you help us?”

The usher turns and escorts Ana and I down to the 2nd row center, looking fiercely at the woman who didn’t want us in the seats and proceeds to seat us, gave a quick smile and off he went.  I saw Act II of the last performance of Waiting for Godot in the 2nd row center!!! Ian was practically in our lap.  It was a thrill to see Ian McKellan’s specific physicality and expressions and his chemistry with Patrick Stewart. The handsome mystery usher gave me the best seats I’d ever had, a good story and being the recipient of a random act his kindness.


Come see what one usher will do to rise to the top of an ant hill.

July 14th – July 26th

Davenport Theatre, Black Box at 354 West 45th Street

Click HERE for more info.