The Left Out Festival Closes, Alan Semerdjian, Pieces Extended

imagesI had a moment today when I realized that I need to stop complicating everything. I always want everything to go off smoothly but if I am in my own way, I just slow everything down. Since the last week, which now includes a second loss, I am seeing just how important it is that we live our lives to the fullest. As a champion of dreams and goals, I encourage all of you, as well as myself, to set a goal for the next month and do one thing each day to make that goal a reality. You have 30 days…GO! I’m checking in to see where you all are in the process.


If you haven’t checked out The Left Out Festival, today is your last chance. Antonio and Shylock close out the festival and I am very excited to see it tonight. It’s a work in progress based on Shakespeare’s The Merchant of Venice by Dikran Tulaine, this exploration of hatred of the “other” explores anti-Jewish and anti-gay bigotry. Was Antonio gay? Hmm, I’ll love to dig deep. Also, fellow poet, and rocker, Alan Sermerdjian is performing this weekend at the Rockwood Music Hall. And if you’re in the mood for an oldie but a goody, check out my pal, Tom Hoefner’s You’re a Good Man. Charlie Brown. Tom wrote and directed, The Unlikely Adventure of Race McCloud, Private Eye which Black Henna produced a few years ago.

I am about to head into Planet Connections with three great shows: Pieces, The Quest of the Hero! and Allie’s Appendix. Check out the listings to the right and www.theatrebeyondbroadway.com for more info. Pieces has two more added dates so YAY!

See you at the show!



You have a follower the moment you put the anarchy sign in my path. So when I heard The Anthem was opening, my interest was piqued.

Your name will be drawn from my cauldron if you tell me what show has a kick ass poster/logo/brand. You win two tickets to:

THE ANTHEM is a rollicking sci-fi musical about a revolt of the young against an evil state lovingly inspired by the classic novella “Anthem.” Hunger Games meets Ayn Rand in a world where individuality is illegal. Prometheus abandons everything to confront the State — controlled by the overlord of evil efficiency, Tiberius. With a forbidden copy of Ayn Rand’s ancient tome in hand, can Prometheus overthrow the system?

Leave a comment on the Theatre Beyond Broadway Facebook page or  below.

“Everyone has a role to play.”

CaptureThat’s what Ian’s uncle said to us on Saturday when we visited his grandfather. It’s easy for me to forget the many roles I play because I always want to best in whatever I’m doing.

Ian’s uncle repeated that line again on Tuesday at Grandpa George’s wake.  We were the grandchildren, the sons and daughters-in-laws, the nephews and nieces, the cousins, the wives and husbands. We were the family.

Grandpa George was a remarkable man. I feel very blessed to have known him for 16 1/2 years and to call him Grandpa. I could wax poetic about his many huge accomplishments made to our city in the field of print press and the unions. I could be in awe of the great photos of him with luminaries. I could just smile his decision to get his Bachelor of Arts at age 60 even though he didn’t need it.

I did all of those things. However, today I will revel in the memories of the countless rides in the back seat of the old ’89 Buick listening to awesome stories of the old days in HIS New York City.

He played many roles and inspires me and the rest of his clan to play our roles with passion and conviction.

Much love to you Grandpa and luckily I don have to use the restroom that we just passed on the highway 😉

Website Proves I’m a Slasher

988373_10152022464448454_1385347182_nOh my goodness! It’s finally here and you have no idea how happy I am that my personal website is here. Many thanks to Aaron Pratt, my tough love branding consultant who built this site as well as my beloved http://www.theatrebeyondbroadway.com site.

Over the last 6 months, I have been exploring my love of the arts and how it feeds my soul. My friends tease me by saying I’m as slasher: “Malini is a director/producer/publicist/actress/poet/cat lover”. It’s funny. I really just love exploring all the possibilities that the arts have to offer. I don’t direct as much anymore though I am directing a mock trial. I don’t act as much anymore though I was in the Rough Draft Play Festival. I write poetry when the words overcome me and someone asks me to read my work.

I do, however, love promoting theatre. This isn’t a new side of me. I’ve been doing since I’ve been doing shows (which is coming up on two decades). I remember in college that I just wanted people to see the show. My first show at Baruch College was Twelfth Night. I was one of the servants in Olivia’s house and worked with Maria. I had NO lines. Yet, I invited everyone to come see the show.

So what’s really happened is I’ve become more specific. The other facets are there when I am ready.

Anyway, it’s great to be back. Malinism will have more tabs. In the meantime, thank you for being awesome. And break free!

Oh: one more slash: Presenter on Salon Radio. Tune in Monday night at 9pm at www.cityworldradio.com.

My Birthday Thoughts & Gratitude List

Today I thought to myself, “Wow I actually made it to another year.” I also said it the other night all maudlin and stuff.  I’m still not sure what I was all up in arms about but hey, It’s my birthday. I’m getting closer to the end of another decade. I’m human.

Yet, when I woke this morning I really felt an amazing sense of gratitude.  The autumn-touched trees laid against the most perfect morning sky. The cat didn’t screech in my ear, “WAKE UP, YOU HAVEN’T FED ME IN 10 HOURS! Ian didn’t steal all the covers. I can’t really explain it. But I know you know what I mean.

The last year started off on a weird note. Everything I thought I knew about myself…yep not so much. I started to slip into a woe is me (an oh too familiar place that at one point led me down a dark road). Whenever that happens, other unwelcome guests decide to join me. I call them the my guardian Zombies. Once alive and kicking now just undead and annoying. Ready to destroy me. 
Yet, my guardian angels always manage to step in and save me…from myself. And I start with my gratitude list.
And that’s what I am doing. Life is life. The betrayals and forgotten memories of the past year are just that. In the past. I move on and remember all the amazing moments of the past year.
I am grateful for:
  • An amazing and loving family that continues to make me laugh and make me crazy at the same time;
  • The opportunity to work with an amazing group of artists. Thank you for entrusting me with your words, your work, and your secrets;
  • All the places I visited this year: Trinidad, Myrtle Beach, Montreal, Chicago and my upcoming trip to Raleigh;
  • Theatre Beyond Broadway – probably one of my best ideas;
  • The guy with whom I share my birthday;
  • And all the painful moments that were huge lessons this past year.
 I’m not perfect. I’m just a girl in the world who is a work in progress.
In progress indeed.  My next three projects are next month. I am wearing my Producer hat on all three.  I know crazy town!
1. I am raising $1500 for Pieces for which I am one of the lead producers.  (Kristen Penner and Lorelei Mackenzie, book & lyrics; directed by Shaun Peknic (assoc. dir. of “Once” on B’way).
Pieces is a musical about Tabby Morgan, a woman struggling with Dissociate Identity Disorder, trying to maintain a normal life while coping with the scars of her past. Click on the above link to see all the cool perks you will receive with your donation!
2. Come see Black Henna’s Runo Rimac in the EstroGenius Festival. Once the BH website is up, we’ll email you.
3. Come see the EstroGenius Festival. We are running from October 15th through November 10th. We have productions, reading, one woman performances, dance, visual arts, the works!
 
And thank you !!!!!

Thank You! Why, You are So Welcome (It Goes a Long Way)

Thank you goes a very long way. Michael Roderick wrote an excellent post on his blog about saying thank you. Believe it or not, many people do not say thank you. Did I belabor the point?

This recently happened to me. I connected two people, both of whom I knew well, and I wasn’t acknowledged for it. I am thrilled that they will be working together as I knew it would be a good fit. However, I found out about it in a roundabout way. And it kind of hurt. Then I got stuck in my head and was wondering if I was making it all about me. Ian had to talk me down. Then I realized, a simple note saying hey Malini, much thanks, would have been the most professional thing to do. Anyway, here’s Michael’s post as he really nails it.

Also, Josh Rivedal’s The Gospel According to Josh: A 28-Year Gentile Bar Mitzvah, is available on pre-release. Click HERE for more info! And click on my video below as I give my Tony Award Nominated Thank You Speech!

Thankyou

I’m sure to many folks this seems like the simplest of statements, but I am amazed every day at how easy it seems to be for people to forget about it.

A perfect example: Yesterday I get an email from an organization that I am a part of forwarding an email from some one who I introduced to the organization. I took time out to find this person during another event, tell him about the event the other organization was hosting and in fact, bring him to that event. At the end I also took the time to introduce this individual to someone at the event who could be helpful to that person’s producing career.

So guess what the email was about? It was thanking the organization for introducing him to that individual who he has worked with on numerous occasions. No mention of me taking the time out of my schedule to help connect him. Kind of makes you not want to do that kind of introduction again doesn’t it?

There’s a big lesson in here today for producers at all levels:

Look carefully at who helped you get where you are today. If you haven’t thanked them, take the time to do so today. If you’ve gotten donations even if they were smaller than you hoped for, say thank you. If you were invited to a party that you might not have been able to go to had it not been for a certain person, say thank you and finally, if you have volunteers who are working for you for free, say thank you.

The more people feel appreciated, the more likely they’ll help you in the future and as much as it sucks, the opposite is also true.

So look through that address book today. Is there anyone you forgot to thank?

Let the whole world see it. Thank them here in the comments below. Use fake names if you want, but let them know you thanked them. That is what keeps the relationships going in this business.

I’ll start:

Dear Readers,

Thank you for subscribing to my blog and being willing to get my posts in your email daily, thank you for re-tweeting the posts that you enjoy, and thank you for your insightful comments. You all are the reason I keep writing this blog and the reason that I have gotten more readers and become better known over the time this blog has started and I am grateful for that. Thanks also to those who get my info by Rss feed or some other method that is not email. The fact that you still find a way to read and respond to my posts is greatly appreciated. You all are the reason I write this and keep writing it and your support means the world to me.

Sincerely,

Mike

There. Now your turn:

Excelsior!

Guest Blogger: Nick Radu Reviews See Jane Give Up Dick

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Sharing your truth is never easy. So I always have deep respect for anyone willing to make a drastic change in order to improve their life. Then tell us what they did to get through it. And See Jane is so much more than just celibacy for 365 days. It’s self-cleansing. Definitely check out one of next five performances! Nick Radu is my guest blogger this week and my, now, co-writer of Imaginary. Here’s his thoughts:
What’s it like to give up sex for an entire year?  And could you do it?  Writer Devin Preston went on that very journey and she has shared the answer with us in one of the NYCFringe 2013’s best one-woman shows.
As soon as Jane (Meghan O’Neill) hits the stage she greets the audience, makes them laugh and sets them at ease as they travel back with her to that year of chastity.  O’Neill breaks the fourth wall with precision and excellence, allowing us into the living room of her life.  It was so wonderful to watch Jane chip away at the block of life, creating the sculpture of the woman she didn’t even know.   The comical writing, O’Neill’s wonderful timing and use of Jane’s very own power point presentation was all wrapped up in the perfect bow known as Isaac Klein, the director of this charming piece.
The sarcasm and wittiness of this show hold your attention as you laugh with Jane, and at her, but the beauty and tenderness come through as we see a woman grow and change and find something she never even was looking for: herself.  Anyone looking to find those shows in the Fringe that have just the right amount of everything will need to be sure to make a stop at the Steve & Marie Sgouros Theatre at 115 McDougal and check out “See Jane Give Up Dick.”  You will not be disappointed!
Nick Radu is an actor/writer/director currently living in New York. His recent play, Imaginary, went to it’s second staged reading at a backers’ audition and is currently in transition to a screenplay for interested parties. He is writing numerous plays and a novel, at present, and will be directing a staged reading of a fellow writer’s original work for Black Henna Productions.

Quick Update: Yep. Still Rocking & Rolling

215278_10150165645329422_407050_nI know I have been a bit silent in the blogosphere  and I am sure everyone was just sitting at their computer awaiting my post to pop up in their in box, appear on their FB newsfeed, and following #whereMalinibe?

So much has been going on. It has been a whirlwind since the readings of Imaginary and my short vacay in Myrtle Beach.

Thank you for being so wonderfully awesome and supportive. I need to say it as I type it so you can then read it and absorb it.

Now here’s a run down of everything:

IMAGINARY

The reading was super successful. Nick and I met with a film exec who would like us to work on the screenplay version of the play. So, Nick and I are exploring that avenue.

THEATRE BEYOND BROADWAY

TBB celebrates it’s one year anniversary next month. The newsletter is still going strong and has now grown into my PR/Marketing Firm. My current clients are Naked In Alaska  and See Jane Give Up Dick in this summer’s FringeNYC. The TBB website is currently being constructed so stay tuned for more info.

ESTROGENIUS

The EstroGenius Festival is celebrating it’s 14th year. Black Henna is super excited to be in collaboration with them this fall…

BLACK HENNA

…as we are producing the world premiere of Manny Liyes’ Runo Rimac.  The play revolves around zombie, Runo, a hulking, savage mass (found in the Lost and Found at the Waldorf-Astoria) who’s only purpose in life is to feed on human flesh to survive. But Dickie, our down and out actor, reaches Runo and they in turn see something salvageable in each other. Dickie “raises” him and gives him a knowledge of the world, ultimately making life more challenging for our zombie.

KEW GARDENS

I know. You’re like what about your neighborhood, Malini? Well, yours truly has contributed to an upcoming book on the ‘hood. Ian and I will have our building ,which was built post-World War I as part of the garden apartment houses plan of the early 1900s, in the book. Pictures and captions. This has been a 15 year labor of love that has finally come to almost completion. As you can imagine, it’s pretty exciting.

So, that’s what’s been happening.  And scene.

 

Guest Blogger: Dawn Slegona McDonald: 9mm America: A Theatrical Uprising Against Violence

GBH-Holiday-card-Card-to-be-printed-ONLY1-JPEG_Page_1-1024x705Dawn and I were really moved by Girl Be Heard’s performance of 9MM America.  I’m really proud to stand by her side on the issue of gun reform. Here’s her official review of 9MM America:

As a gun reform advocate and theatre practitioner I was excited to attend a performance of 9mm America, a play running now in New York City that sheds light on America’s gun culture. Written by Girl Be Heard, a group of young women between the ages of 14-23, the play is unique in its perspective. Many of the girls in the cast come from neighborhoods where gun violence is prevalent and some of them are survivors of gun violence, having lost family members to gunfire.  It is clear that their experience with tragedy has empowered them with a sense of responsibility to change something wrong with this country. And what is wrong, they tell us, is that “Gun violence is an addiction and America, you’re an addict…”

The actors take us through the violent history of guns in America from the genocide of Native Americans, through slavery and the civil war, to the sensationalism of guns through our media coverage – a destructive influence that has led to a growing sense of paranoia and the belief that a gun is needed to keep us safe from “all those other people who don’t look like me.” It is this paranoia and fear of “other” that perpetuates the vicious cycle of violence in the neighborhoods these young women call home. In their view, police assume every person of color they see is up to no good, and those same people of color assume the protection of the law does not apply to them. Having worked in prison, I’ve seen the consequences of this unfortunate dynamic. Young black and Hispanic men have taken the law into their own hands and ended up in jail, all because they didn’t feel there was anyone else who would help them.

Also discussed in the play is the way in which the design of our economic and educational systems seems to keep minorities from succeeding. Poverty and lack of proper education have led desperate men and women to turn to other means of survival like drug dealing, theft, and other types of crime – in most instances using a gun for power and protection. Add teen pregnancy to the mix and the cycle just repeats itself over and over again, each new generation learning at a very young age the same lessons of mistrust and survival by the gun. “Cause they can’t seem to find a place they think we belong,” the girls tell us. “So they got us set up in hardship in ghettos to do wrong. Enrage us. Teach us nothing. Then encage us.”

“When will it stop?” the girls ask and I found myself drowning in this question. When our obsession with guns runs so deep and is based on centuries of firmly rooted racism, fear and greed how can we overcome it? Is there hope for us? It occurred to me during the talkback after the performance that perhaps these young women – and others like them – ARE our hope. When others around them are falling prey to the life described above, these girls are refusing to become statistics. They are not joining gangs or getting pregnant, but are finishing school and going to college. And now they are using their experiences to educate others about this issue that is so close to them. They have plans to take the play into schools and to tour the country in order to share their message with as many people as possible. The philosophy of Girl be Heard asserts, “If a girl can change her own life, she can change the lives of girls everywhere.” It is my belief that these women and this play they have so courageously written can potentially change the lives not only of girls, but of people everywhere. “This is a call to action to stop gun violence” they tell us at the play’s conclusion. “Stand up with us now and help us fight for this cause.” I, for one, intend to stand with them.

Dawn Slegona McDonald is a teaching artist and mom based in Brooklyn, NY. She is an active member of the NY/Greater NYC chapter of Moms Demand Action for Gun Sense in America. Visit momsdemandaction.org for more details.

99mm America is playing now as part of the Planet Connections Theatre Festivity. Robert Moss Theatre, 440 Lafayette St, New York, NY

 Remaining performances:

Friday June 7th at 4:30pm

Sunday June 9th at 5:00pm

Wednesday June 19th at 8:00pm

 Tickets are $18. Purchase at PlanetConnections.org or call (866) 811-4111. To learn more about Girl Be Heard visit girlbeheard.org

 

 

 

Not All About You, Dear

The rules of kvetchingA few years ago someone very close and dear to me lost a parent. The loss, as any loss is, was not only hard for that someone, but for those close to the family. The deceased was not only well-loved but well-respected. A true role model and mentor. They were very passionate about their craft and I felt very blessed to have been able to receive much advice. That spirit of love and caring is carried on by my dear friend. However, here’s what was interesting. I was able to simultaneously be supportive yet step back and observe during the funeral and after. The reactions and sentiments were a bit harsh and self-centered. I remember being appalled at how some weren’t supportive of those who had to live with this loss. There was a strange outpouring of me-me-me to the living. Never once consoling. There was also the craziest things being said that was so inappropriate. Though, it is not up to me to tell anyone how to grieve, my friend sent me this article that would have been beneficial YEARS ago.
This past week the LA Times published an excellent article on how and to whom one should express their true feelings of sorrow and disappointment. It’s an article everyone should read and it’s the perfect diagram to have in the back of one’s mind.

It works in all kinds of crises – medical, legal, even existential. It’s the ‘Ring Theory‘ of kvetching. The first rule is comfort in, dump out.

Susan Silk and Barry Goldman

April 7, 2013

When Susan had breast cancer, we heard a lot of lame remarks, but our favorite came from one of Susan’s colleagues. She wanted, she needed, to visit Susan after the surgery, but Susan didn’t feel like having visitors, and she said so. Her colleague’s response? “This isn’t just about you.”

“It’s not?” Susan wondered. “My breast cancer is not about me? It’s about you?”

The same theme came up again when our friend Katie had a brain aneurysm. She was in intensive care for a long time and finally got out and into a step-down unit. She was no longer covered with tubes and lines and monitors, but she was still in rough shape. A friend came and saw her and then stepped into the hall with Katie’s husband, Pat. “I wasn’t prepared for this,” she told him. “I don’t know if I can handle it.”

This woman loves Katie, and she said what she did because the sight of Katie in this condition moved her so deeply. But it was the wrong thing to say. And it was wrong in the same way Susan’s colleague’s remark was wrong.

Susan has since developed a simple technique to help people avoid this mistake. It works for all kinds of crises: medical, legal, financial, romantic, even existential. She calls it the Ring Theory.

Draw a circle. This is the center ring. In it, put the name of the person at the center of the current trauma. For Katie’s aneurysm, that’s Katie. Now draw a larger circle around the first one. In that ring put the name of the person next closest to the trauma. In the case of Katie’s aneurysm, that was Katie’s husband, Pat. Repeat the process as many times as you need to. In each larger ring put the next closest people. Parents and children before more distant relatives. Intimate friends in smaller rings, less intimate friends in larger ones. When you are done you have a Kvetching Order. One of Susan’s patients found it useful to tape it to her refrigerator.

Here are the rules. The person in the center ring can say anything she wants to anyone, anywhere. She can kvetch and complain and whine and moan and curse the heavens and say, “Life is unfair” and “Why me?” That’s the one payoff for being in the center ring.

Everyone else can say those things too, but only to people in larger rings.

When you are talking to a person in a ring smaller than yours, someone closer to the center of the crisis, the goal is to help. Listening is often more helpful than talking. But if you’re going to open your mouth, ask yourself if what you are about to say is likely to provide comfort and support. If it isn’t, don’t say it. Don’t, for example, give advice. People who are suffering from trauma don’t need advice. They need comfort and support. So say, “I’m sorry” or “This must really be hard for you” or “Can I bring you a pot roast?” Don’t say, “You should hear what happened to me” or “Here’s what I would do if I were you.” And don’t say, “This is really bringing me down.”

If you want to scream or cry or complain, if you want to tell someone how shocked you are or how icky you feel, or whine about how it reminds you of all the terrible things that have happened to you lately, that’s fine. It’s a perfectly normal response. Just do it to someone in a bigger ring.

Comfort IN, dump OUT.

There was nothing wrong with Katie’s friend saying she was not prepared for how horrible Katie looked, or even that she didn’t think she could handle it. The mistake was that she said those things to Pat. She dumped IN.

Complaining to someone in a smaller ring than yours doesn’t do either of you any good. On the other hand, being supportive to her principal caregiver may be the best thing you can do for the patient.

Most of us know this. Almost nobody would complain to the patient about how rotten she looks. Almost no one would say that looking at her makes them think of the fragility of life and their own closeness to death. In other words, we know enough not to dump into the center ring. Ring Theory merely expands that intuition and makes it more concrete: Don’t just avoid dumping into the center ring, avoid dumping into any ring smaller than your own.

Remember, you can say whatever you want if you just wait until you’re talking to someone in a larger ring than yours.

And don’t worry. You’ll get your turn in the center ring. You can count on that.

Susan Silk is a clinical psychologist. Barry Goldman is an arbitrator and mediator and the author of “The Science of Settlement: Ideas for Negotiators.”

Stop! Go! Wait!

Picture courtesy of Rob Zukowski
Picture courtesy of Rob Zukowski

Mixed signals are very difficult to process  if you are the one receiving them. It paralyzes because you don’t know how to react, respond. The synapses stop firing and you’re a deer in headlights. You get frustrated and freak out or you completely shut down (please replace you with I).

I don’t have the exact answer for dealing with a difficult situation.  However, I have found some techniques which have helped me. Hopefully, they will help you too. After all, why keep all of life’s secrets.
I find that one of the ways that has helped me in this area is by taking care of myself for a few hours. That means shutting the world out. I usually have one day that’s dedicated to my spiritual practice. That sets the tone for the week.  I write, watch Super Soul Sunday, nap, hang with my cat.
I also have a health regimen which includes visits to the chiropractor, physical therapist and most recently,  an acupuncturist. Those visits help my MS and back pain. It also forces me to be still for a period of time. Time to reflect and sometimes even nap.
I also have a hobby that, believe it or not,  is not theater. Besides writing this blog, I also write poetry. That has been a really amazing outlet. These days my poems have been New York City inspired.  I walk through the city with a different pair of glasses.
The Artists’ Way is a great book to read if you are experiencing a block.  I started to doing the work in it which includes stream of consciousness writing every morning and going on an artist date (see above). I also read one inspirational passage from a book or site.
I try a few times a day to meditate. It’s not sitting cross-legged- fingers- touching- chanting- ohm mediation. Though I have done that. It’s usually just taking a pause and be aware of the present moment.
These practices help me not go off the deep end or into Crazy Town. They help me to listen and to respond in a normal manner. And when none of those work, I just rant for x minutes and try my best to move forward.